Tag: EI 400
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Photography: Quadrophenia – Rollei Infrared 400 (120)
Quadrophenia Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: School-run – Lomochrome Purple XR 100-400 (35mm)
School-run Lomochrome Purple XR 100-400 shot at EI 400Color negative film in 35mm format School-runLomochrome Purple XR 100-400 shot at EI 400.Color negative film in 35mm format.
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Photography: Americana? – Shot on Fuji Pro 400H at EI 400 (120 format)
Americana? Fuji Pro 400H shot at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Intertwined – Shot on Rollei Infrared 400 at EI 25 (35mm format)
Intertwined Shot on Rollei Infrared 400 at EI 25 Black and white infrared sensitive film in 35mm format
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Photography: Vinylism – Lomochrome Purple XR 100-400 (35mm)
Vinylism Lomochrome Purple XR 100-400 shot at ISO400 Color negative film in 35mm format
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Photography: Blue crate – Kodak Portra 400 (120)
Blue Crate Shot on Kodak Portra 400 at EI 800 Color negative film in 120 format shot as 6×6 1-stop under exposed, no push processing
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Photography: Spinning around – Rollei Infrared 400 (120)
Spinning around Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Deep-rooted – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Deep-rooted Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×6 Push processed 1+1/3 stop Read the full ILFORD HP5 PLUS review here.
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Photography: Hexagonal columns – Kodak AEROCHROME III 1443 (120)
Hexagonal columns Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
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Photography: Gnarly – Shot on Kodak ULTRA-MAX 400 at EI 400 (35mm format)
Gnarly Kodak ULTRA-MAX 400 shot at EI 400 Color negative film in 35mm format
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Photography: Whiter than white – Ilford HP5+ (120)
Whiter than white Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1.5 stops
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Photography: Mesh-ing around – Shot on Kodak Tri-X 400 at EI 12800 (120)
Mesh-ing around Shot on Kodak Tri-X 400 at EI 12800 Black and white negative film in 120 format shot as 6×4.5 Push processed five stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push
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Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400 (120 format)
Hydrant Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Seduced by Babylon – Lomochrome Purple XR 100-400 (120)
Seduced by Babylon Lomochrome Purple XR 100-400 in 120 format Color negative film in 120 format shot as 6×6
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Photography: Out to dry – Shot on Lomography Lomochrome Purple XR100-400 at EI 400 (120 format)
Out to dry Shot on Lomography Lomochrome Purple XR100-400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Blossom blaze – Shot on Kodak AEROCHROME III 1443 at EI 200 (120 format)
Blossom blaze Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
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Photography: Nightshade – Shot on Lomochrome Purple XR 100-400 at EI 400 (120 format)
Nightshade Shot on Lomochrome Purple XR 100-400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Analog trash – Shot on Kodak Portra 400 at EI 400 (120 format)
Analog trash Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Asphalt shimmer – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)
Asphalt shimmer Shot on Fuji Superia X-TRA 400 at EI 400 Color negative film in 35mm format film
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Photography: Abstract – Shot on Lomochrome Purple XR 100-400 at EI 400 (120 format)
Abstract Shot on Lomochrome Purple XR 100-400 at EI 400 Color negative film in 120 format shot as 6×6