Tag: Color Reversal (Slide) Film
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Picnic time – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Picnic time Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Photography: To the bitter end – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
To the bitter end Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Photography: Single minded – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Single minded Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Photography: Scrambler – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Scrambler Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Photography: 5 o’clock shadow – Shot on Fuji Veliva 100 RVP100 (35mm format)
5 o’clock shadow Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Tricolore #02 – Shot on Fuji Veliva 100 RVP100 (35mm format)
Tricolore #02 Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Photography: Three – Shot on Fuji Provia 100F RDPIII at EI 100 (format)
Three Shot on Fuji Provia 100F RDPIII at EI 100 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Shorn – Shot on Kodak EKTACHROME E200 at EI 200 (120 format)
Shorn Shot on Kodak EKTACHROME E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Full bloom Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Shard – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Shard Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide  
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Photography: Breather – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Breather Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide  
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Photography: Hello…follow me – Shot on Fuji Provia 100F RDPIII at EI 100 (120 Format)
Hello…follow me Shot on Fuji Provia 100F RDPIII at EI 100 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Altitude sickness – Kodak EKTACHROME E200 at EI 200 (120 format)
Altitude sickness Shot on Kodak EKTACHROME E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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Photography: For one – Shot on Fuji Provia 400X RXP400 at EI 400 – 120 format
For one Shot on Fuji Provia 400X (RXP400) at EI 400 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Light shower – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)
Light shower Shot on Fuji Provia 400X RXP at EI 1600 Color reversal (slide) film in 120 format shot as 6×6 Push processed 2 stops
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Photography: Nailed it – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)
Nailed it Shot on Fuji Provia 400X RXP at EI 1600 Color reversal (slide) film in 120 format shot as 6×6 Push processed 2 stops
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Photography: Time machine – Shot on Lomography XPRO Slide 200 (35mm)
Time machine Shot on Lomography XPRO Slide 200 at EI 200 Color reversal (slide) film in 35mm format Cross processed
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Photography: Oblique – Shot on Kodak EKTACHROME 100VS – E100VS (35mm)
Oblique Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Scratch that – Shot on Rollei CR 200 at EI 200 (120)
Scratch that Shot on Rollei CR 200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Ash collection system – Shot on Fuji Provia 400X – RXP400 (120)
Ash collection system Shot on Fuji Provia 400X (RXP400) at EI 400 Color reversal (slide) film in 120 format shot as 6×6
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