Tag: 5 Frames…
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5 Frames… With Fuji Superia X-TRA 400 (EI 400 / 35mm format / Nikon F100)
When I returned to film a couple of years ago I shot black and white films and had them professionally processed.
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5 Frames… With Fujifilm Fujichrome Velvia (EI 50 / 35mm format / Pentax MV-1)
EMULSIVE: a quick editor’s note. This isn’t Fuji Velvia 50 (RVP 50), it’s the original Velvia (RVP), which was discontinued in 2005, reformulated and released in 2007.
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5 Frames… With Lomography Color Negative 800 (EI 800 / 35mm format / Olympus XA)
“High ISO color negative films are rare and expensive, period.” That’s what I saved in my mind for years, and then used to skip the wish to shoot that gold dust – except for special events like the Berlin Light
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5 Frames… With Fuji INSTAX Wide Monochrome (EI 800 / INSTAX Wide / Mamiya Universal)
I love to shoot instant film. I love the old peel-apart film, I love Polaroid and I also love Fuji INSTAX.
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5 Frames… With Kosmo Foto Mono 100 (EI 100 / 35mm format / Helios 58mm f/2)
I mentioned to EM that my Kosmo film had just arrived and he demanded a 5 Frames With… pronto! So here we are.
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5 Frames… With ILFORD PAN F PLUS ( EI 50 / 35mm format / Olympus Pen S)
Thanks EM for being open to stretching the five frames concept for me. These pictures were made on ILFORD PAN F+ film in an Olympus Pen S half frame camera. This camera is non-metered, fully manual and scale focusing.
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5 Frames… With Kodak Ektar 100 (EI 100 / 35mm format / Ricoh GR1s)
I’ve always had a bit of a love-hate relationship with Kodak Ektar 100. I love the sharpness, and the colors are awesome when they work, but for whatever reason, I have trouble with the conversions.
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5 Frames… With Rollei Infrared 400 (EI 12 / 120 format / Bronica SQ)
Over the past couple of summers I’ve been experimenting a bit with infrared photography. I’ve always been intrigued by the alienating look that infrared images can give you.
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5 Frames… With Silberra PAN100 (EI 100 / 35mm format / Canon FTb)
The moment I received my Silberra film, I immediately popped the PAN100 in my Canon FTb and paired it with a 58mm f/1.2 lens.
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5 Frames… With Fuji Reala 100 (EI 100 / 120 format / Mamiya 645 1000S)
Anyone who has seen my blog, or followed me on Twitter will know that I love to shoot a wide variety of film stocks either fresh or expired.
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5 Frames… With Kodak T-MAX 100 (EI 100 / 4×5 / Linhof Technika V)
I was recently looking through my film archives and found a number of photographs shot on Kodak T-MAX 100.
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5 Frames… With Ultrafine Red Dragon…de-redscaled (EI 320 / 35mm / Ricoh 35 ZF) -by James Cockroft
In preparation for #BIFScale17, I picked up 5 rolls of Ultrafine Red Dragon 100.
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5 Frames… With ILFORD HP5 PLUS (EI 400 / 120 / 6×6 / Mamiya 6)
Two weeks ago the first significant signs of autumn became visually present in the Netherlands.
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5 Frames… With Silberra PAN50 (EI 50 / 35mm / Canon EF)
A few weeks ago I got sent a package from Silberra in Russia. If you haven’t heard of them yet, it’s no wonder.
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5 Frames… Avec la pellicule ILFORD HP5 Plus
Je m’appelle Grégoire Huret, je vis à Paris et je fais de la photo argentique. Je prends presque exclusivement des photos en noir et blanc, et la plupart du temps des photos de rue.
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5 Frames… With ILFORD HP5 Plus (EI 400 / 35mm / Leica M6 TTL)
My name is Grégoire Huret, I live in Paris and I practice 35mm photography. I take black and white photographs almost exclusively, and most of the time work on street photography.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 / 6×7 / Mamiya 7ii)
I’ve been using Kodak Portra for about 5 years but wanted something more.
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5 Frames… With ILFORD Delta 3200 Professional (EI 3200 / 120 / Mamiya 645 1000S)
ILFORD Delta 3200 Professional is my favorite black and white film.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 / Rolleicord VB)
Kodak Ektar 100; it sounds so exotic and for me it delivers the kind of saturation that makes shooting colour film so fun, but without the reduced latitude that comes with shooting slide film.
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5 Frames… With Agfa Scala 200X (EI 200 / 35mm / Canon F1n)
My five frames were shot with a roll of expired 35mm Agfa Scala 200X at ISO 100. The gear I used was a Canon F1n and a Canon 35mm f/2.8 FD lens and the film was developed in Kodak