Tag: 5 Frames…
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5 Frames… With Cinestill BwXX (EI 250 / 35mm format / Pentax Spotmatic SP II)
When Cinestill reintroduced their BwXX 250 film stock, I was intrigued and bought a roll immediately. Like their other film stocks, BwXX 250 is movie film re-engineered for still cameras.
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5 Frames… With CineStill Tungsten 800 (EI 800 / 35mm format /Minolta X-700)
The tungsten aesthetic really is my thing. I love seeing it used for night outdoors shots; I’m convinced that even the most mundane things, shot at night, on tungsten film, automatically become statement shots…
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5 Frames… With ILFORD FP4 PLUS (EI 125 / 35mm format / Minolta X-300)
I’ve always wanted to try black & white film. So these shots come from my very first B&W film. I had actually no idea about which film should I use.
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5 Frames… With Kodak EKTACHROME Infrared EIR (EI 200 / 35mm format / Olympus OM-1n)
I’ve have had a roll of Kodak EKTACHROME Infrared EIR in my fridge for a year or so now. For those of you that don’t know this is a colour Infrared slide film (E6 processing, #SayNoToXPRO).
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5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Canon AE-1)
The images in this series are abstracted Houston landscapes, shot on 35mm film.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 format / Mamiya 7)
It is said that landscapes should be shot with, at the very least, a medium-film camera.
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5 Frames… With J. Lane Dry Plates ( EI 2 / 4×5 format / Graflex Pacemaker Speed Graphic)
The photos presented here are made with my workhorse setup: my Graflex Speed Graphic, Schneider Symmar 210 f/5.6 convertible, and J. Lane Dry Plates.
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5 Frames… With Fuji Superia 400 (EI / 35mm format / Konica Waiwai)
At first, I didn’t get the hype but I really respect Dan Ko’s opinion when he said he would buy any Konica Waiwai at the silliest price he could find.
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5 Frames… With Kodak Portra 400 (EI 320 / 120 Format / Mamiya 7)
On August 21, 2017, thousands of people converged on Alliance, Nebraska, as one of the prime Solar Eclipse viewing locations in North America.
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5 Frames… With Impossible Project I-Type Color (Polaroid Originals One Step 2)
Up until recently I wasn’t one for instant photography at all, I’d tried it with an Instax but that had been for a specific project that had petered out and never really gone anywhere.
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5 Frames… With Kodak ColorPlus 200 (El 100 / 35mm format / Mamiya 7 + Panoramic Kit)
I have lusted after a Hasselblad XPan for a while, but the prices have gone through the roof to the point where I simply can’t justify one.
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5 Frames… With Rollei Retro 400s (EI 200 / 35mm format / Agfa Gevabox 6×9)
The Agfa “Gevabox” box camera normally takes 6×9 images on 120 film, has two shutter speeds and two apertures (mine is the later 1955 version).
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5 Frames… With Kodak T-MAX P3200 (EI 3200 / 35mm format / Canon EOS 1V)
My choice for black and white film has always been Kodak T-MAX, so when the news broke the new/old T-MAX P3200 version was coming back I was excited.
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5 Frames… With Fujifilm Superia 200 (EI 100 / 35mm format / Pentax Super-A)
Looking back on the track for a little green bag (a little green box of film actually ☺).
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5 Frames… With Fuji Reala 100 (EI 100 / 35mm / Canon EOS 500)
After deciding to take a city break in Rome, Italy – together with my mother – I knew immediately what camera and what films I would take with me. I was lucky to have good weather and the sun on
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5 Frames… With Kentmere 400 (EI 1600 / 35mm format / Leica M4)
I shot this roll during a visit to Hull in the United Kingdom.
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5 Frames… With Fujicolor C200 (EI 200 / 35mm format / Pentax Spotmatic)
I’ve been into photography for about two years, using a digital Canon. I was doing mostly long exposures and street photography.
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5 Frames… With Arista Edu Ultra 200 (EI 200 / 35mm format / Pentax K1000)
The pictures that are presented here today were taken during a workshop about analog photography in July 2017.
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5 Frames… With Fujifilm Fujicolor C200 (EI100 / 35mm format / Pentax MZ-S)
When I started my path of analog photography somewhere in 2012, my first film stocks were widely available Fujifilm consumer grade films – mostly Fujifilm Superia 200 and Fujicolor C200.
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5 Frames… With Fomapan 100 Classic (EI 100 / 4×5 format / DIY Pinhole)
Some time ago I read about a workshop dedicated to instructing participants in building their own pinhole camera and venturing into the field to record some images. Somehow this idea resonated with me.