Following on from my review and experimentation guide, here’s a quick reference for Rollei Superpan 200.
Category: Reviews
Find all EMULSIVE reviews, covering photographic films, cameras, lenses, bags and other film photography gear, hardware and software, right here.
Posted inFujifilm Film Stock Reviews
Film notes: Fuji Provia 100F (RDPIII)
Following on from my review of Fuji Provia 100F (RDP III), here’s our quick reference for (nearly) everyone’s favourite slide film.
Here’s what Fuji have to say:
“FUJICHROME PROVIA 100F Professional is an ultra-high-quality, daylight-type ISO 100-color reversal film.
With
Posted inReviews
Experiments: cross processing and push processing Fuji Provia 100F (RDP III)
Picking up from my original Provia 100F review, I’m going to talk about how we can experiment with this film and the kinds of results you can expect.
In this article, we’ll be talking about pushing, cross processing and
Posted inILFORD Film Stock Reviews
Film notes: ILFORD FP4 PLUS 125
Following on from our recent review, here’s a quick reference for ILFORD’s fine detail, old school contrast monster, FP4 PLUS.
Here’s what they have to say:
“For high quality black and white photography, ILFORD FP4 PLUS is unrivaled.
Posted inRollei Film Stock Reviews
Experimenting with Rollei Superpan 200 (with bonus infrared)
Today I’ve decided to give you all a look at the kind of results you can expect from Rollei’s Superpan 200 black and white film in 120 format.
Posted inILFORD Film Stock Reviews
Film stock review: ILFORD FP4 PLUS in 35mm, 120 format and sheet film
Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.
Posted inKodak Film Stock Reviews
Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Posted inKodak Film Stock Reviews
Film notes: Kodak Tri-X 400 (400TX)
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
Posted inKodak Film Stock Reviews
Film notes: Kodak EKTACHROME 100VS (E100VS)
Kodak E100VS is a medium speed color reversal film (slide film), produced in 35mm and medium format. The film was retired by Kodak in 2010 but is still available “fresh” on the after market.
Posted inKodak Film Stock Reviews
Experiments: cross processing and pushing Kodak EKTACHROME 100VS (E100VS)
Picking up from the original review, I’m going to talk about experiment with Kodak EKTACHROME E100VS and the kinds of results you can expect from pushing and cross processing the film and then pushing and cross processing this film.
Posted inLomography Film Stock Reviews
Film stock review: LomoChrome Turquoise XR 100-400 – 35mm and 120 format
A lot of film shooters give The Lomographic Society a hard time and I’ve often asked myself why.
Posted inKodak Film Stock Reviews
Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.
Posted inFujifilm Film Stock Reviews
Film stock review: Fuji Provia 100F (RDP III) color slide film in 35mm, 120 and large formats
Today we’ll be reviewing Fuji’s Provia 100F (RDP III) color slide film. Provia 100F is one of my go-to slide films when I want flexibility and true-to-life color.
Posted inRollei Film Stock Reviews
Film stock review: Rollei Superpan 200 black and white negative film in 35mm and 120 format
Welcome to this review of Rollei Superpan 200 black and white film in 120 format.
Posted inKodak Film Stock Reviews
Film stock review: Kodak EKTACHROME 100VS (E100VS) color slide film – 35mm and 120 format
Kodak EKTACHROME E100VS quickly become one of my favorites for its vivid look, ability to handle high-contrast, or very bright lighting conditions and the ease at which it can be pushed past its box speed.
In addition, the crazy
