Select Page

Advertisement
5 Frames With… Kodak Portra 400 (EI 400 / 120 / Zero Image 2000 6×6) – by Daphne Schnitzer5 Frames With… Kodak Portra 400 (EI 400 / 120 / Zero Image 2000 6×6) – by Daphne Schnitzer

5 Frames With… Kodak Portra 400 (EI 400 / 120 / Zero Image 2000 6×6) – by Daphne Schnitzer

These pictures were all captured with my Zero Image 2000 6×6 pinhole camera on Kodak Portra 400 film. This setup is currently competing with my other favorite, a 3d-printed Flyer 6×6 pinhole camera loaded with Ektar 100.

Both cameras captured almost all of the images in my pinhole seascapes book, Vues sur mer. In the book, I use a number of series of four images, each series taken with the same camera on the same roll, to emphasize tiny color gradation and subtle cloud formation movement. The progression of the images throughout the book simulates the passing of a single summer day from morning to dusk. The present selection includes more recent pinhole seascapes from the same locations.

The Zero Image 2000 is so small and lightweight that it usually comes in my bag wherever I go, and since all paths seem to lead me eventually to two favorite hounds, namely the promenade near the old Yafo harbor and the new Tel-Aviv harbor, that is where it will perform its magic, in daytime or more often at dusk, on a gorillapod or, most often, just perched on a rolled up sweater on rock or ramp. With Portra film and its very forgiving exposure latitude I hardly have to meter the exposures any more, which is part of the pleasure in using it with a pinhole camera.

Instead I will usually shoot the same scape with my Lomo automat camera on Instax mini (or with the folding 6×6 lens camera, used much like a pinhole with a lens!) while the pinhole camera is at work, and later compare the results. In truth, it is not really an attempt to “exhaust” a place or subject that motivates my series of images, but a fascination with the endless variety of light and shapes that the “same” seascape offers from day to day.

Or does it amount to the same thing? Regardless, welcome to my 5 Frames With 🙂

~ Daphne Schnitzer

 

 

[5-frames-with]

 

 

Write for EMULSIVE

The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.

Take action and help drive an open, collaborative community: all you need do is read this and then drop me a line.

 

 

Lend your support

Like what you see here? You can support EMULSIVE by helping to contribute to the community voice on this website (see above), or by heading on over to the EMULSIVE Patreon page and considering financial support from as little as $2 a month.

As if that’s not enough, there’s also an EMULSIVE print and apparel store over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique prints of photographs made by yours truly

In short, I want to continue building this platform and I’d love your help to make that happen.

 

About The Author

Daphne Schnitzer

Daphne Schnitzer is an ex-lecturer in modern Literature, a Sumi-e lover and an enthusiastic, some would say obsessive, pinhole photographer whose path always seem to lead to a harbor to shoot seascapes from, be it in Israel or in France (so far). She uses various pinhole cameras, sporting either pins or zone plates, in both medium and large format, but is especially partial to 6x6 images captured on Kodak Portra 400 or Ektar 100 film.

3 Comments

Comments are welcomed and encouraged on EMULSIVE but there are some instances where comments will deleted, and authors of those comments banned. They are as follows:

  • Comments deemed to be spam or solely promotional in nature will be deleted. Including a link to relevant content is permitted, but comments should be relevant to the topic at hand.
  • Comments including profanity, containing language or concepts that could be deemed offensive will be deleted. Note this may include abusive, threatening, pornographic, offensive, misleading or libelous language.
  • Comments that attack an individual directly will be deleted, as will comments that harass other contributing authors. In short, please be respectful toward others.

 

 

  1. I love these images — please post more. They’re inspiring, and

    just *damned* beautiful!

    Reply
  2. lasousa2015

    Brilliant images. I love my Zero Image. Mine is not traversing the world on a pinhole project for the Film Shooters’ Collective. My model has the attachment for remote shutter and it is a great add.

    Reply
  3. Nice work, Daphne. Mazel tov!

    I especially enjoyed the words you put to the images. There is truly endless fascination in the sea.

    Makes me want to do a Five Frames With… from my Zero Image B612. Except that at most I usually get only four frames from that camera. Oh, well.

    Reply

Trackbacks/Pingbacks

  1. EMULSIVE interview #179: I am Daphne Schnitzer and this is why I shoot film « EMULSIVE - […] huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole aficionado. She does also use…

Add your voice to the discussion

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more



All Categories

All Categories