Select Page

5 Frames With… Fuji Velvia (EI 50 / 35mm / Pentax MV-1) – by Sam Naylor5 Frames With… Fuji Velvia (EI 50 / 35mm / Pentax MV-1) – by Sam Naylor

5 Frames With… Fuji Velvia (EI 50 / 35mm / Pentax MV-1) – by Sam Naylor

EMULSIVE: a quick editor’s note. This isn’t Fuji Velvia 50 (RVP 50), it’s the original Velvia (RVP), which was discontinued in 2005, reformulated and released in 2007. With that out of the way, it’s over to Sam.


I’ve been shooting seriously with negative film since 2010, but it’s only this year that I’ve started experimenting with the actual film stock. A few rolls of black and white film have well and truly converted me when I’m shooting in London, but it was something else that really blew me away: Fuji Velvia (RVP) slide film.

This particular roll was given to me by a photographer colleague – he told me he grabbed it from the fridge on our magazine’s picture desk back when we were still using film, and just had it laying around after the switch to digital in the 2000s. We had no idea exactly how old the film was, but as it had been away from heat I took a chance and shot it at box speed on my Pentax MV-1 SLR.

I wasn’t expecting too much from the slides, but I couldn’t believe how good they looked when I pulled them out of the envelope. These scans don’t quite do the slides justice, but they somewhat retain the hyper-real colours this film returns. Photography for me is about capturing the feeling of a real-life scene using a small part of it – and Velvia makes that easy. Sunlit images are oversaturated and vibrant, but shaded scenes still have a beautiful subtlety to them.

Here are my five. Click on a thumbnail to view full screen.

It seemed a great match for my manual Pentax lenses, which produce similar results on digital. The amazing thing about Velvia, though, is that it retains the delicacy of film where some digital images can feel oddly lifeless. I love film grain, and thought a film designed to eliminate it might lose some of the magic, but if anything it’s captivated me even more.

It’s not without problems – it’ll seriously drain your bank account, and shooting at wide apertures even on a sunny day makes close focus tricky – but if you can, give Velvia a try.

~ Sam Naylor



Get involved: submit your 5 Frames With

Getting your 5 frames featured couldn't be simpler: all you need to do is send over 5 frames shot on a single roll of film using the same lens and camera combination. Large format shooter, not a problem! As long as the shots all came from the same film stock, camera and lens, you're good to go.

You can submit your article in one of two ways: using this form, or via this page.

Finally, don't forget that this series is being produced in conjunction with Hamish Gill's excellent Head on over to read the other half of these stories.



About The Author

Sam Naylor

Sam travels all over for work and always has a camera with him for fun - film or digital, colour or monochrome.

1 Comment

Comments are welcomed and encouraged on EMULSIVE but there are some instances where comments will deleted, and authors of those comments banned. They are as follows:

  • Comments deemed to be spam or solely promotional in nature will be deleted. Including a link to relevant content is permitted, but comments should be relevant to the topic at hand.
  • Comments including profanity, containing language or concepts that could be deemed offensive will be deleted. Note this may include abusive, threatening, pornographic, offensive, misleading or libelous language.
  • Comments that attack an individual directly will be deleted, as will comments that harass other contributing authors. In short, please be respectful toward others.



Add your voice to the discussion

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more

All Categories

All Categories