Select Page

5 Frames With… Fujifilm Fujicolor C200 (El100 / 35mm / Pentax MZ-S) – by Aivaras Sidla5 Frames With… Fujifilm Fujicolor C200 (El100 / 35mm / Pentax MZ-S) – by Aivaras Sidla

5 Frames With… Fujifilm Fujicolor C200 (El100 / 35mm / Pentax MZ-S) – by Aivaras Sidla

When I started my path of analog photography somewhere in 2012, my first film stocks were widely available Fujifilm consumer grade films – mostly Fujifilm Superia 200 and Fujicolor C200. Those films have their own subtle differences, but they share many similarities in look and handling. I like Superia a bit better, but first I’ll revisit Fujicolor C200.

Further into my photographic journey, I investigated many different negative films and found my favorite – Kodak Portra 400. My main reasons for prefering Portra over both Fuji those consumer films are:

  1. more accurate skin tones – Fuji has tendency to go into red color.
  2. better handling of underexpose – fuji likes to get nasty green cast in underexposed areas.

However both Fuji stocks, especially Superia 200 are very, very good films and I would definitely recommend them to anybody going into analog photography. I know that even some pros state that they prefer Superia to Portra – that’s very personal and individual decision. And lets not forget price issue – Portra is twice as expensive…

What I especially like both in Superia and C200 is that they create very painterly look. Combination of vivid a bit oversaturated colors, glow in highlights and pronounced but not intruding grain creates look that is just out of this world.

I shoot Fuji films only occasionally these days, but recent news about Agfa Vista 200 discontinuing left me thinking about entry-level consumer film and triggered me to revisit my old love. Both old loves, you know… 😉

This, my first roll of Fujicilolor C200 was shot on my Pentax MZ-S, with SMC Pentax-FA 50mm f/1.4 Lens. I rated the film at ISO 100 to minimize green cast in shadow areas. All frames were shot at f/1.4.
And now I’ll turn to 5 rolls of Superia 200 from my fridge. So not saying goodbye, just good old “I’ll be back”.

For those that for some reason would like to see more of my shots – welcome to my dreams girls n’ boys:




Get involved: submit your 5 Frames With

Getting your 5 frames featured couldn't be simpler: all you need to do is send over 5 frames shot on a single roll of film using the same lens and camera combination. Large format shooter, not a problem! As long as the shots all came from the same film stock, camera and lens, you're good to go.

You can submit your article in one of two ways: using this form, or via this page.

Finally, don't forget that this series is being produced in conjunction with Hamish Gill's excellent Head on over to read the other half of these stories.


Write for EMULSIVE

The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.

Take action and help drive an open, collaborative community: all you need do is read this and then drop me a line.



Lend your support

Like what you see here? You can support EMULSIVE by helping to contribute to the community voice on this website (see above), or by heading on over to the EMULSIVE Patreon page and considering financial support from as little as $2 a month.

As if that’s not enough, there’s also an EMULSIVE print and apparel store over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique prints of photographs made by yours truly

In short, I want to continue building this platform and I’d love your help to make that happen.

About The Author

Aivaras Sidla

Photography is my hobby. It lets me see the world differently, to notice small miracles in dull environment, to detach from daily life, to recreate inner balance and to remain constantly positive. To sum up photography is a drug for me, and as I mostly shoot film – this drug costs money. Ha ha. While I don't consider myself "big artist” in terms of my shooting results, I try to be active in photography world in order to: -promote photography as an instrument that enriches personal view to the world - I mean that when you start to shoot you start not to look, but to SEE. World becomes more beautiful place to live. - promote film photography and to encourage new users to enter it. I have twofold reasons for it: a) it beautiful and people should try it b) as a means of “self defence” - more users means longer life of film and film cameras in the market :)


Comments are welcomed and encouraged on EMULSIVE but there are some instances where comments will deleted, and authors of those comments banned. They are as follows:

  • Comments deemed to be spam or solely promotional in nature will be deleted. Including a link to relevant content is permitted, but comments should be relevant to the topic at hand.
  • Comments including profanity, containing language or concepts that could be deemed offensive will be deleted. Note this may include abusive, threatening, pornographic, offensive, misleading or libelous language.
  • Comments that attack an individual directly will be deleted, as will comments that harass other contributing authors. In short, please be respectful toward others.


Add your voice to the discussion

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more

All Categories

All Categories