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5 Frames With… Fuji Provia 100F RDP III (35mm / EI 100 / Minolta X-700) – by Lauri Johan Lind5 Frames With… Fuji Provia 100F RDP III (35mm / EI 100 / Minolta X-700) – by Lauri Johan Lind

5 Frames With… Fuji Provia 100F RDP III (35mm / EI 100 / Minolta X-700) – by Lauri Johan Lind

In 2018, E-6 Processing is expensive. I shot this roll back in April and after shooting it, it sat in my freezer for 2 months, because I can’t afford to get too many rolls of E-6 processed at once. My E-6 film usually “marinates” in a ziploc bag in my freezer for 1-2 months before I have it processed.

I shoot transparency/slide film for nearly all my work. I started out in film photography a year ago with the typical colour negative films like Fuji C200, Kodak Portra, Ektar, ColorPlus, etc., then I one day tried a roll of Agfa CT Precisa 100 (which just so happens to be rebranded Fuji Provia 100F) and Iwas hooked, there was no going back.

I will never forget the shock of seeing those razor sharp images filled with colour backlit by a sea of white light in the dark.

Fuji Provia 100F is probably my favorite. It’s very versatile and works with any kind of subject. It can be pushed 1 stop (EI 200) in normal light with only a minor increase in contrast. It can also be pushed up to 2 stops (EI 400) however, I prefer to rate it at 100 for a 2 stop push.

These 5 images are shot normally at 100, with some bracketed towards underexposure. I normally use an 81A warming filter with Provia, but the warm evening light makes it unnecessary in this case. The way Provia 100F renders colour leans toward cool tones, it works beautifully in certain situations where Velvia would be a little too “over the top”, especially blues, which are the most beautiful I have ever seen. I shot these frames on my Minolta X-700 with motor drive 1+,  MD 50mm f/2.0 + Tamron 103A 70-210mm f/3.8-4 lenses.

~ Lauri  Lind

 

 

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Getting your 5 frames featured couldn't be simpler: all you need to do is send over 5 frames shot on a single roll of film using the same lens and camera combination. Large format shooter, not a problem! As long as the shots all came from the same film stock, camera and lens, you're good to go.

You can submit your article in one of two ways: using this form, or via this page.

Finally, don't forget that this series is being produced in conjunction with Hamish Gill's excellent 35mmc.com. Head on over to read the other half of these stories.

 

 

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About The Author

Lauri Johan Lind

I'm a Finnish film photographer who has lived in Mallorca, Spain for 18 years, I have been shooting film for a year and my other hobbies are classic cars and cycling.

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