Home Photography 35mm format

35mm format

View all photographs taken by EMULSIVE on 35mm format film.

Photography: Two-tone – Shot on Fuji NEOPAN 400 at EI 200...

Two-tone Shot on Fuji Neopan 400 at EI 200Black and white negative in 35mm formatOver expose one stop and push processed two stops. Two-toneFuji Neopan 400 shot at EI 200. Black and white negative in 35mm format.

Photography: Life's a beach – Shot on Kodak T-MAX 100 at...

Life's a beach Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 35mm format  

Photography: Decision time – Shot on ILFORD HP5 PLUS (35mm format)

Decision time Shot on ILFORD HP5 PLUS at EI 400Black and white negative film in 35mm formatContax AX, Hasselblad Distagon C 50mm F4 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 07:30 (N) 1-minute presoak, 30 seconds initial agitation, 1

Photography: The moon in her hands – Shot on Kosmo Foto...

The moon in her hands Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format    

Photography: Chained – Shot on Fuji Neopan SS (35mm)

Chained Shot on Fuji Neopan SS at EI 100 Black and white negative film in 35mm format          

Photography: Dragon’s eye – Kodak Ultracolor 100 (35mm)

Dragon's eye Shot on Kodak Ultracolor 100 at EI 100 Color negative film in 35mm format    

Photography: Burn out – Shot on Fuji Velvia 100 – RVP100...

Burn out Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal film in 35mm format Cross processed Read the Fuji Velvia 100 (RVP 100) review here.      

Photography: Morning prep – Kodak ELITE Chrome 100 – EB-3 (35mm)

Morning prep Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100 Color reversal (slide) film in 35mm format        

Photography: Quadriptych – Fujicolor Industrial 400 (35mm)

Quadriptych Shot on Fujicolor Industrial 400 at EI 400 35mm color negative film shot as half frame        

Photography: Refocus – Shot on Kodak EKTACHROME 100D 5285 at EI...

Refocus Kodak EKTACHROME 100D (5285) shot at EI 100 Color reversal motion picture film in 35mm format      

Photography: Blue – Fuji Superia Premium 400 (35mm)

Blue Fuji Superia Premium 400 shot at EI 1600 Color negative film in 35mm format Push processed three stops      

Photography: Bike share – Shot on Lomography Lomochrome Purple XR 100-400 at EI...

Bike share Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format      

Photography: Perfect combination – Shot on Kodak T-MAX 100 TMX at...

Perfect combination Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 35mm format      

Photography: Take the stairs – Fuji Neopan 400 (35mm)

Take the stairs Fuji Neopan 400 shot at EI 400 Black and white negative film in 35mm format        

Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm...

From below Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review    

Photography: I don’t – Shot on Kodak Tri-X 400 at EI...

I don't Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Overdeveloped two stops (N+2) Read the Kodak Tri-X 400 review here. ...and don't forget about the Tri-X 400 push processing guide!  

Photography: Slowed – Shot on Luckyfilm New SDH 100 (35mm)

Slowed Shot on Luckyfilm New SDH 100 at EI 100 Black and white negative film in 35mm format Reversal developed        

Photography: World class facilities – Shot on Lucky New SHD 100...

World class facilities Shot on Lucky New SHD 100 at EI 800 Black and white negative film in 35mm format Push processed three stops          

Photography: Bokehline – Shot on Fuji Press 800 (35mm)

Bokehline Shot on Fuji Press 800 at EI 800 Color negative film in 35mm format          

Photography: Basket case – Shot on Kodak VISION3 250D 5207 at...

Basket case Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film