Category: 35mm format
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Photography: Coiled #04 – Shot on ILFORD FP4 PLUS at EI 500 (35mm Format)
Shot on ILFORD FP4 PLUS at EI 500.Black and white negative film in 35mm format.Push processed 2-stops.Nikon F6 + Nikon 70-200mm f/2.8 VR / Nikon Super Coolscan 4000 ED. Read the full ILFORD FP4 PLUS review here. Development notesILFORD ILFOTEC LC29: 1+19, 20°C / 68°F, 14:15 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Household Abstractions #01 – Shot on ILFORD FP4 PLUS at EI 500 (35mm Format)
Shot on ILFORD FP4 PLUS at EI 500.Black and white negative film in 35mm format.Push processed 2-stops.Nikon F6 + Nikon 70-200mm f/2.8 VR / Nikon Super Coolscan 4000 ED. Read the full ILFORD FP4 PLUS review here. Development notesILFORD ILFOTEC LC29: 1+19, 20°C / 68°F, 14:15 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Road Warrior – Shot on ILFORD FP4 PLUS at EI 500 (35mm Format)
Shot on ILFORD FP4 PLUS at EI 500.Black and white negative film in 35mm format.Push processed 2-stops.Nikon F6 + Nikon 70-200mm f/2.8 VR / Nikon Super Coolscan 4000 ED Read the full ILFORD FP4 PLUS review here. Development notesILFORD ILFOTEC LC29: 1+19, 20°C / 68°F, 14:15 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Up and over – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 (35mm format)
Up and over Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100.Color reversal (slide) film in
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Photography: London – Shot on Kodak Portra 160 at EI 160 (35mm format)
London Shot on Kodak Portra 160 at EI 160Color negative film in 35mm format LondonShot on Kodak Portra 160 at EI 160.Color negative film in 35mm format.
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Photography: Guardians at the door #02 – Shot on Fuji Pro 400H at EI 200 (35mm format)
Guardians at the door #02 Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color
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Photography: Thirsty work – Shot on Kodak Pro Image 100 at EI 400 (35mm format)
Thirsty work Shot on Kodak Pro Image 100 at EI 400Color negative film in
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Photography: Guardians at the door #01 – Shot on Fuji Pro 400H at EI 200 (35mm format)
Guardians at the door #01 Shot on Fuji Pro 400H at EI 200.Color negative film
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Photography: Hungry work – Shot on ILFORD Delta 400 Professional at EI 400 (35mm format)
Hungry work Shot on ILFORD Delta 400 Professional at EI 400.Black and white negative film in 35mm format.Horizon S3 Pro.
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Photography: Office space – Shot on Fuji Acros 100 at EI 400 (35mm format)
Office space Shot on Fuji NEOPAN 100 ACROS at EI 400 Black and white negative film in 35mm format Push processed 2 stops Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1 Development notes
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Photography: Our lady of heaven – Shot on Kosmo Foto Mono 100 at EI 200 (35mm format)
Our lady of heaven (天上聖母 / Tiānshàng Shèngmǔ) Shot on Kosmo Foto Mono 100 at EI 200 Black and white negative film in anamorphic 35mm format Push processed 1-stop Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra
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Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Put your feet up Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B
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Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)
Downtime Shot on Fuji Superia X-TRA 400 at EI 400. Color negative film in 35mm format film. Fuji GW690III + EBC Fujinon 90mm f/3.5.
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Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Seeing spots Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop Development notes Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3) 1 minute presoak, 30 seconds initial
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Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)
Window shopping Shot on Fuji Superia X-TRA 400 at EI 800. Color negtive film in wide 35mm format (TEXPan). Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.
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Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Duvel Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00
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Photography: It’s all theatre – Shot on Kodak Portra 160 at EI 160 (35mm format)
It’s all theatre Shot on Kodak Portra 160 at EI 160 Colour negative film in 35mm format Leica M6 TTL 0.85 + Canon S Serenar 50mm f/1.5
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Photography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse