Posted in5 Frames...

5 Frames… Of Nordic summer bliss (and Heathrow) on Lomography 800 and a Hasselblad 500CM with Carl Zeiss Planar CF 80mm f/2.8

My family and I recently moved to Sweden. I had owned the Hasselblad for a few months prior to moving, but documenting our first few months in the country of its origin seemed poignant! The first few film stocks I had tried were Ektar 100, then Lomography Color Negative 800 (which I had unsuccessfully tried […]

Posted in5 Frames...

5 Frames… Around lakes Como and Lugano on expired ILFORD Delta 3200 Professional (120 Format / EI 1000 / Hasselblad 500 C/M + Hasselblad Distagon C T* 50mm f/4)

When you rummage inside your old camera bag and find an unexposed roll of ILFORD Delta 3200 Professional, the urge to try to expose and develop it despite the fact that the expiration date says something like ’12 years before today’, well it comes to you, and how. …and if in the cellar you also […]

Posted in5 Frames...

5 Frames… By Seattle’s Pike Place Market on a Hasselblad 500CM and Ilford HP5 PLUS (120 Format / EI 400 / Carl Zeiss Distagon CF 60mm f/3.5)

5 Frames… Near Seattle’s Pike Place Market on a Hasselblad 500CM and ILFORD HP5 PLUS (120 Format / EI 400 / Carl Zeiss Distagon CF 60mm f/3.5) When talk turns to street photography cameras, first thoughts might be 35mm rangefinders or small SLRs, though many iconic shots have been done with larger medium format cameras. […]

Posted inLomography Film Stock Reviews

Purple nights on Lomochrome Purple with the Pixels and Grain Collective

Lomochrome Purple XR 100-400 is an interesting film, with unclear origins, that shifts colours towards the purple spectrum, like a fantasy/dream.  Greens become purple, blues aqua/green, and skin tones orangey, in a psychedelic way. Iso 100? 200? 400? Take your pick!   While there are many articles out there about the colour shifting properties of this film, […]