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Embracing winter conditions in my film photography workflow

Embracing winter conditions in my film photography workflow

Winter 2018 was when I really buckled down and took black and white photography seriously, as a response to a few uninspiring...
Found film: My 1960s Kodak Verichrome Pan mystery

Found film: My 1960s Kodak Verichrome Pan mystery

Several months ago though, I pined for a new hobby. I decided that delving into the lost art of film photography was...
My shadow - Kodak Tri-X 400, Leica R5, Ousilhão, Portugal, 2018

EMULSIVE interview #209: I am Paulo Monteiro and this is why I shoot film

Ladies and gents, allow me to introduce you to this week's fresh EMULSIVE interviewee: Paulo Monteiro. Over to you,...
Film stock review: FPP RetroChrome 400 (EASTMAN EKTACHROME High-Speed Daylight Film 2253) - by Simon King

Film Stock Review: FPP RetroChrome 400 (EASTMAN EKTACHROME High-Speed Daylight Film 2253) – by...

FPP RetroChrome 400 is the name given to a stock of 35mm Kodak EASTMAN EKTACHROME High-Speed Daylight Film 2253 (PDF datasheet) that...

EMULSIVE interview #207: I am George Quiroga and this is why I shoot film

Up for this week's fresh EMULSIVE interview slot is George Quiroga who has been out there catching light for over 50 years...
The honesty in film photography - by Simon King

The Honesty in Film Photography – by Simon King

After some recent discussions with my peers, I've started to feel that "honesty" is an underrated quality in many genres of photography....
Frugal Film Project

The Frugal Film Project: the project that turned into something else: halfway update –...

Halfway through... six months in already? How did that happen... didn’t we just start? Actually, we are settling into our routine but the bloom is off the rose...
Cover: Research - is there really a difference between real and simulated film photography

Research: is there really a difference between real and simulated film photographs?

To answer this question, I researched the foundations of film and digital photography; and which factors can influence the style of the results for my bachelor thesis.
Jon Canlas - Me, Rolleiflex 2.8C, ILFORD HP5 PLUS+3

EMULSIVE Interview #200: I am Jonathan Canlas and this is why I shoot film

I can't begin to tell you how happy I am to finally bring today's interviewee to these pages.
Cover - Into the heart of SREDA Film Lab

Into the heart of SREDA Film Lab

Recently, my friend Lorraine Healy sent me Kosmo Foto’s article on some rather cool film packaging produced in Russia by SREDA (СРЕДА) Film Lab.
Cover - How to - Shoot Fuji Instax instant print film in a classic large format camera

How to: Shoot Fuji Instax instant print film in a classic large format camera

Some of my classic cameras remind me of the fascinating history of photography. Recently I wanted to see if I could make instant prints with my Speed Graphic press camera.
Cover: Campus lights - documenting local light pollution on film

Campus lights: documenting local light pollution on film

I'm Sam, physics and astronomy student and amateur photographer. I started shooting seriously when I bought a Bronica from the charity shop I was volunteering at four years ago.
Chile - Olympus XA2, Cinestill 50D

EMULSIVE interview #197: I am Cat Topham and this is why I shoot film

Greetings from EMULSIVE HQ.
Cover - Cinematic storytelling part 3 - developing motion picture film v2

Cinematic storytelling part 3: developing motion picture film

Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.
Cover - Loss, PTSD and finding my father in the searchlights - Simon Riddell

Loss, PTSD and finding my father in the searchlights – by Simon Riddell

It all started with a conversation with my Dad in 2015.
Still Made 7 - the complete A-Z and the future of film

Every single film stock still made today – Part 7: the complete A-Z plus...

This is the final part of my series covering every single one of the 180+ photographic film stocks still being made today. I'll be breaking down the numbers with a bit of commentary below but as ever, please do
Self portrait, father and son

EMULSIVE interview 187: I am Kim Weston and this is why I shoot film...

Regular readers will be aware that I typically focus on everyday film shooters (like me) for these interviews but the opportunity occasionally arises to sit down with someone very special. This is one of those times and I'm very
Film tests - Getting the best out of Ferrania P30 Alpha part 2

Film tests: getting the best out of FERRANIA P30 Alpha part 2 – by...

A few months ago, I wrote about the results of my tests on FERRANIA P30 Alpha in various developers.
Cover - Featured project: Finding your way in the dark (printing Dublin by night) - by Eddie Malin

Featured project: Finding your way in the dark (printing Dublin by night) –...

I wanted a few nighttime square images for the final chapter of a book I was just completing on Dublin, a kind of goodnight to the City.
Self Portrait - Shanghai Seagull TLR, 120 Kodak T-MAX 400, EI 400

EMULSIVE interview #186: I am David Allen and this is why I shoot film

I think one of the first interactions I had with David was in Feb 2017 when he commented "best thread ever" on a Twitter thread I was involved in, which included a stock photo of two shirtless elderly gentlemen having