We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film
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EMULSIVE interview #54: I am Marcus Carlsson and this is why I shoot film
Today we’re sitting down with Marcus Carlsson, Swedish large format aficionado, sometime digital shooter, obsessive DIY-ist and more recently, app developer.
We’ll be telling you more about his Analogue App a little later.
Recap #4: September 2015 – decisions, decisions
Welcome one and all!
That’s month four under the belt.
One year of EMULSIVE – a retrospective
Today is EMULSIVE’s first birthday and what a year it’s been!
The EMULSIVE x ILFORD PHOTO Community Interview: submit your questions
Hot on the heels of our recent EMULSIVE x Lomography Community Interview, we’re back with another member of the film photography industry eager for your questions.
This time, it’s young industry upstart ILFORD PHOTO and this is your chance to
Photography: Quadrophenia – Rollei Infrared 400 (120)
Quadrophenia
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6×6
EMULSIVE x Lomography Community Interview: submit your questions
It’s taken a little while to put together but we’re incredibly pleased to introduce you all to the brave subject of this, the first EMULSIVE Community Interview.
EMULSIVE interview #46: I am Mike Pouliot and this is why I shoot film
We’re sitting down today with Mike Pouliot, a man whose photography oozes serenity, calm and stillness. Put down the coffee, spit out that mouthful of Red Bull and get settled in.
EMULSIVE interview #77: I am Lucy Wainwright and this is why I shoot film
Today we’re sitting down with She Shoots Film founding member and Film Shooters Collective contributor, Lucy Wainright.
Lucy has a wonderful mix of styles that sit somewhere between playful, abstract and experimental.
Film culture: ‘INDIA’ – The Heritage Collection
We love sharing. In fact, we’d like to think it’s a big part of our remit to inform you of upcoming film photography gatherings and goings-on, both small and large.
Camera review: Zenza Bronica GS-1
I’ll be talking about the least talked about model in a criminally underrated brand….the Bronica GS1.
EMULSIVE 52 Rolls 2016 – Week 06-09 update
Time for a look at the latest frames from week 06-09 2016 of my 52 Rolls project (not 06-10, as I incorrectly tweeted).
The over/under exposure and push/pull/XPRO theme covered in my first update of 2016 continues unabated
EMULSIVE interview #11: I am Preston Young and this is why I shoot film
Welcome back for another interview!
EMULSIVE x ILFORD community interview: results time
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE.
EMULSIVE interview #44: I am Gary W Smith and this is why I shoot film
We’re sitting down today with with Liverpudlian turned Londoner, Gary W Smith. You might recognise some of the images below from his Zones 1-4 and London Street projects.
EMULSIVE interview #2: I am Ron Ritz, MD and this is why I shoot film
Week 2 has rolled on in, so that means another fresh face to talk to about their perspectives on film.
Today we’re very pleased to share the thoughts of Ron Ritz, MD;
EMULSIVE interview #9: I am Ray Rapkerg and this is why I shoot film
We’re back for another look into the mind of a film photographer.
Recap #3: August 2015 – the interviews cometh
Welcome one and all!
That’s month three of this EMULSIVE experiment over and done with.
Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.
EMULSIVE interview #17: I am Brittany Markert and this is why I shoot film [NSFW]
Photographers come from all backgrounds and walks of life.
Contrary to (some people’s) popular belief, not every young photographer jumps straight out of a related education program and straight into shooting for the NG.