Today I’m sitting down with Thomas Skrlj (pronounced “Skurl”).
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Posted in35mm format, Photography
Photography: Azure – Shot on Kodak Portra 160NC Unperforated at EI 100 (35mm format)
Azure
Shot on Kodak Portra 160NC at EI 100
Color negative film in 35mm format
Unperforated stock
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #59: I am Duncan Waldron and this is why I shoot film
Today I’m sitting down with Duncan Waldron, life-long photographer both at work and play.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #25: I am Michael Jackson and this is why I shoot film
Some of us take up a photographic study of a particular form of photography; perhaps focusing on macro images, animals, insects, portraiture.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #95: I am Robert Marsters and this is why I shoot film
When the opportunity came up to grab some time with today’s interviewee, I couldn’t help but fall over myself to grab it with both hands. You see, Robert Marsters is a bit of a conundrum.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #27: I am Colin Wilson and this is why I shoot film
Considered, methodological, quiet, contemplative.
Today’s film photographer isn’t someone you’ll likely see running after the next shot.
Posted inArticles
Recap #5 – Christmas is only around the corner
…It’s that time of the month again
And it’s gone. Month five of EMULSIVE is done and dusted. Just a quick recap this month.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #49: I am Aimee Lower and this is why I shoot film
We’re finishing off this year’s interviews with the wonderful Aimee Lower. Aside from being one of the very first people we engaged with on Twitter, Aimee also knows Nils Karlson, this week’s other interviewee.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #18: I am Joseph Gamble and this is why I shoot film
Have you ever seen an image that stopped you dead in your tracks?
It last happened to me about a year ago, maybe more, maybe less.
I was browsing an online gallery of desktop wallpapers, looking for something a little
Posted inArticles
EMULSIVE 52 Rolls 2016 – Week 14-17 update (bonus large format)
I’m bored. Photographically, that pretty much sums up the past few months for me. Yes I know it’s probably not best to start off this update post with a lamenting and needy statement but there it is.
Posted inAll Reviews, Darkroom, Experiments, Film development times, Film stock reviews, ILFORD Film Stock Reviews, Kodak Film Stock Reviews
Black and white film high EI shootout part 2: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 25600
The high EI shootout is back for part two: the pushening.
Poorly executed references to the terrible sequel that was Highlander 2 aside, I’m hoping that you’ll find this extension of part one just as informative as the first and
Posted inKodak Film Stock Reviews
Film stock review: Kodak AEROCHROME III color infrared film
Let me get this out of the way. AEROCHROME is hands-down my favourite film stock. Yes, that includes EKTACHROME E100VS and I implore you to try some AEROCHROME out if you can.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview!
Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
Posted inAll Reviews, Experiments, Film stock reviews, ILFORD Film Stock Reviews, Kodak Film Stock Reviews
Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
Posted inMedium format, Photography
Photography: Autumn unfurled – Shot on Kodak Portra 400 at EI 400 (120 format)
Autumn unfurled
Kodak Portra 400 shot at EI 400
Color negative film in 120 format shot as 6×6
16E macro extension tube / Hasselblad Planar F 80mm f/2.8
Posted inArticles
The photographer’s daypack – part 2: medium format street shooters
A little while ago, I covered my recommendations and rationale for the basic photographer’s daypack – a small, light pack of essential items for any film photographer.
Posted inGuides & How-Tos
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 1 – introduction and required materials
This is the first of a six-part series in which I will describe the process of creating a “naked” Graflex Pacemaker Speed Graphic 4×5 camera and Kodak Aero Ektar lens combination;
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #26: I am Mike Fraser and this is why I shoot film
Today we’re sitting down with Mike Fraser, Toronto-based photographer, cancer researcher and all round globe-trotting nice guy.
Mike works in film of all formats, as well as the occasional foray into digital.
Posted inMedium format
Photography: Gone fisheye-ing – Shot on Kodak Portra 400 at EI 400 (120 format)
Gone fisheye-ing
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6
30mm fisheye
Posted inInterviews
EMULSIVE interview #75: I am Kevin Luyo and this is why I shoot film
It’s the beginning of May, spring is in full bloom (mostly), I for one can feel summer’s imminent arrival – it’s not soon enough.
So, it seems like the perfect time to bring you the work of another young
