film.photography
Flotsam mooring
Kodak T400CN shot at EI 200
Black and white negative in 120 format shot as 6×6
Overexposed one stop
Fuji Velvia 50 is my favourite colour film. The colours, saturation and contrast are unique. It’s especially good for golden hour colours around dawn and sunset.
On the ropes
Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6×6
Bleach bypass C41 processing
Hasselblad Planar 80/2.8
Well here’s something you don’t see every day or every week for that matter.
Besom 02 – 2015-05-03
Fuji Pro 400H shot at EI 200
Color negative film in 120 format shot as 6×6
2x teleconverter
Last of the sakura – 2015-05-05
Fuji Pro 400H shot at EI 200
Color negative film in 120 format shot as 6×6
2x Teleconverter
Without giving too much away, today’s interviewee first started shooting film after getting a DSLR.
Yes, you read that right, a DLSR got him into film.
Preface
This article originally appeared over at Addicted2light in November 2012 and has been kindly updated by author Gianluca Bevacqua. Gianluca’s taken a bit of time to update his initial findings with his updated DSLR “scanner”, a Sony A7r.
Out for a stroll
Shot on ILFORD FP4 PLUS at EI 800
Black and white negative film in 120 format shot as 6×6
2+2/3 stop push
Given the elbow
Shot on Rollei Superpan 200 at EI 400
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Zodiak-B 30/3.5 fisheye
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation
We’ve been rather lucky in snatching some time with the one and only Jo Farrell, whom you may know from her long running project, Living History: Bound Feet.
Jo has spent the past nine years getting to know and capturing
I’m here today to provide you with my review / comparative overview of the Mamiya Press Super 23 and the Mamiya Universal Press cameras.
Today’s interview has been written, rewritten, added to and chopped up many, many times over the past few months but it’s finally ready and I couldn’t be more pleased.
I’ve managed to drag today’s interviewee away from his workshop for a few minutes on the promise that he’s returned as soon as possible.
Describing himself as, “barely removed from being a baby-boomer”, I got to know of Robert and his work through the previously featured, Aimee Lower.
I’ve been looking forward to this one!
If you’re reading this then you’ve probably already come across Mercury Works’ Universal Camera project, currently steaming towards a modest $50,000 goal on Kickstarter.
When I first came across the project I was intrigued to say the least.
Today we’re sitting down with 23-year old Nick Skinner from Newcastle in the North East of England.
Nick’s been shooting film for about two years and has a rather interesting background which, as you’ll see, imparts itself onto his photography
I am a film street photographer, inspired by my father’s deep appreciation of Henri Cartier-Bresson and particularly Robert Frank back in the 1960s.
In the early 2000’s, like many, I drifted away from film and plunged into digital photography, excited
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
