Author: Tom Rayfield

Finding Film part 15: Fomapan 400 Action

Posted by Tom Rayfield | Apr 2, 2018 | Articles, Finding Film

Hello readers, welcome back to another episode of #FindingFilm. This month’s episode is a short...

Finding Film part fourteen: Bergger Pancro 400

Posted by Tom Rayfield | Mar 5, 2018 | Articles, Finding Film

Following on from the last #FindingFilm, I will pick-up where I left off; Happisburgh (Haze-bruh)....

Finding Film part 13: ILFORD HP5 PLUS

Posted by Tom Rayfield | Feb 6, 2018 | Articles, Film Reviews, Finding Film, ILFORD Films, Reviews

Having finished my rolls of ILFORD Delta 100 and 400 Professional for part 12 of this series, I...

Finding Film part 12: Ilford Delta 100 and 400 Professional

Posted by Tom Rayfield | Jan 2, 2018 | Articles, Film Reviews, Finding Film, ILFORD Films, Reviews

Before I begin this month’s #FindingFilm, I’ll give you advance warning. Go and put the kettle on,...

Finding film part 11: ILFORD SFX 200

Posted by Tom Rayfield | Dec 5, 2017 | Articles, Film Reviews, Finding Film, ILFORD Films, Reviews

Welcome back to another round of #FindingFilm! At the time of writing, it has been a while since I...

5 Frames With… ILFORD HP5 PLUS (EI 400 / 35mm / Fuji GW690III) – by Tom Rayfield

Posted by Tom Rayfield | Nov 6, 2017 | 5 Frames With, Articles

Recently, I visited Warsaw in Poland for a quick city break. I had never been to Poland before,...

Finding Film part 10: Rollin’ Rollei Retro 80S and 400S

Posted by Tom Rayfield | Nov 3, 2017 | Articles, Film Reviews, Finding Film, Reviews, Rollei Films

Hello again! It’s that time of the month where I check out another type of black and white medium...

Finding Film part 9: Fumbling Fuji NEOPAN Acros 100

Posted by Tom Rayfield | Oct 2, 2017 | Articles, Film Reviews, Finding Film, Fuji Films, Reviews

In my last article, I discussed my adventures with the Lomography Lady Gray 400. This came at the...

Finding Film part 8: Getting to know my Lady Gray 400

Posted by Tom Rayfield | Sep 1, 2017 | Articles, Film Reviews, Finding Film, Lomography Films, Reviews

Before I start this entry in the series, just a small disclaimer: Lomography UK very kindly sent...

Finding film part 7: Let there be light AKA a disaster with Delta

Posted by Tom Rayfield | Aug 4, 2017 | Articles, Film Reviews, Finding Film, ILFORD Films, Reviews

Hello again, EMULSIVE readers. It’s been a while since I did one of these (having looked back...

Street photography challenge with Agfa Vista Plus 200 by Tom Rayfield

Posted by Tom Rayfield | Jul 10, 2017 | Articles

Following on from Sandeep and his close-up challenge, I am next in line for the Emulsive challenge...

Finding film part 4: ILFORD FP4+ strikes back

Posted by Tom Rayfield | May 4, 2017 | Articles, Film Reviews, Finding Film, ILFORD Films, Reviews

Welcome back to my year long series discovering film stocks: finding film. This week’s article...

Finding film part 3: Czeching out Fomapan

Posted by Tom Rayfield | Apr 6, 2017 | Articles, Film Reviews, Finding Film, Foma Films, Reviews

Welcome to part three of my journey with film in 2017. As you read in part one and part two,...

Finding film part 2: expanding my horizons with Kodak Tri-X 400, Rodinal and Ilford DD-X

Posted by Tom Rayfield | Mar 7, 2017 | Articles, Film Reviews, Finding Film, Kodak Films, Reviews

Welcome to part two of my journey with film in 2017. As you read in part one, I’ll be using...

Finding Film part 1: experiences so far

Posted by Tom Rayfield | Feb 13, 2017 | Articles, Finding Film

Hello EMULSIVE community! My name is Tom Rayfield, by day I am a secondary school teacher from...

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EMULSIVE interview #187: I am Tony Vaccaro and this is why I shoot film

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EMULSIVE interview #186: I am Matt Parry and this is why I shoot film

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Camera review: the Kodak Instamatic 500 or, why I love 126 format film - by Ian Fleming

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Film review: Kodak ColorPlus 200 and Fuji Fujicolor C200 compared

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5 Frames With... Fuji NEOPAN ACROS 100 (35mm / EI 100 / Olympus OM-1n) - by Renato Valenzuela Jr

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Camera review: the Kodak Instamatic 500 or, why I love 126 format film - by Ian Fleming

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How-to: convert a disposable camera to shoot BW infrared film - by Lucy Wainwright

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Peeled apart for good: The last frames of FUJI FP-100C or, the creative obligation not to f**k it up - by Ludwig Hagelstein

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High Speed Journey - Kodak T-MAX 3200 and Kodak Recording Film 2475 - by Erik Gould

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Thinking outside the box: the Hamm Camera Nubox 1 aka self-support in the analogue film community

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