Making the Rounds
Shot on Kodak VISION3 250D (5207) at EI 250Color negative motion picture film in 35mm formatPush processed one stop.
Making the RoundsKodak Vision 3 250D (5207) shot at EI 500.Color motion picture film in 35mm format.Pushed
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Making the Rounds
Shot on Kodak VISION3 250D (5207) at EI 250Color negative motion picture film in 35mm formatPush processed one stop.
Making the RoundsKodak Vision 3 250D (5207) shot at EI 500.Color motion picture film in 35mm format.Pushed
Bougainvillea
Shot on Fuji Velvia 100 RVP 100 shot at EI 80.Color reversal (slide) film
Today we’ll be reviewing Fuji’s Provia 100F (RDP III) color slide film. Provia 100F is one of my go-to slide films when I want flexibility and true-to-life color.
Spring Cleaning
Shot on Fuji Velvia 50 (RVP 50) at EI 40.Color reversal (slide) film in 120 format
Shot on ILFORD FP4 PLUS shot at EI 200.Black and white negative film in 35mm format.Push processed 2/3 stop. RackedShot on ILFORD FP4 PLUS at EI 200.Black and white negative film in 35mm format.Push processed 2/3 stop.
Ajar
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 120 format shot as 6×4.5Push processed one stop and cross processed
Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide
AjarShot on Kodak EKTACHROME
Smiles all round
Shot on Fuji NEOPAN 100 ACROS at EI 100Black and white negative film in 120
Welcome to this review of Rollei Superpan 200 black and white film in 120 format.
Growth
Shot on Lomography Color 400 at EI 400Color negative film in 120 format film shot as 6×6
Kodak EKTACHROME E100VS quickly become one of my favorites for its vivid look, ability to handle high-contrast, or very bright lighting conditions and the ease at which it can be pushed past its box speed.
In addition, the crazy
Mastering photography is without a doubt a slow and laborious process, regardless of your choice of medium.
Pushed to the MAX
Shot on Kodak ULTRA MAX 400 at EI 1600.Color negative film in 35mm format
Depth of Field (DoF) its use and control in your photography is crucial. When used effectively, Depth of Field can make the difference between a good photograph and a great one.