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Home » EM » Page 91
Avatar - EM

Author Archives: EM

I'm EM, founder, overlord, and editor-in-chief at EMULSIVE.org. I may be a benevolent gestalt entity but contrary to increasingly popular belief, I am not an AI.

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Shots fired - “Making the Rounds” - Kodak 250D
Posted in35mm format

Photography: Making the Rounds – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format )

Avatar - EMby EMJune 8, 2015October 16, 2020

Making the Rounds

Shot on Kodak VISION3 250D (5207) at EI 250Color negative motion picture film in 35mm formatPush processed one stop.

Making the RoundsKodak Vision 3 250D (5207) shot at EI 500.Color motion picture film in 35mm format.Pushed

Bougainvillea - Shot on Fuji Velvia 100 (RVP) at ISO80.
Posted inMedium format

Photography: Bougainvillea – Shot on Fuji Velvia 100 RVP100 at EI 80 (120 format)

Avatar - EMby EMJune 7, 2015October 16, 2020

Bougainvillea

Shot on Fuji Velvia 100 RVP 100 shot at EI 80.Color reversal (slide) film

Cover - Fuji Provia 100F - RDPIII
Posted inFujifilm Film Stock Reviews

Film stock review: Fuji Provia 100F (RDP III) color slide film in 35mm, 120 and large formats

Avatar - EMby EMJune 7, 2015October 16, 2020

Today we’ll be reviewing Fuji’s Provia 100F (RDP III) color slide film. Provia 100F is one of my go-to slide films when I want flexibility and true-to-life color.

Spring Cleaning - Shot on Fuji Velvia 50 (RVP) at EI 40. Color reversal (slide) film in 120 format shot as 6x6. Cross processed.
Posted inMedium format

Photography: Spring Cleaning – Shot on Fuji Velvia 50 RVP50 at EI 40 (120 format)

Avatar - EMby EMJune 6, 2015August 28, 2021

Spring Cleaning

Shot on Fuji Velvia 50 (RVP 50) at EI 40.Color reversal (slide) film in 120 format

"Racked" - Shot on ILFORD FP4 PLUS at EI 200.
Posted in35mm format

Photography: Racked – Shot on ILFORD FP4 PLUS at EI 200 (35mm format)

Avatar - EMby EMJune 5, 2015August 28, 2021

Shot on ILFORD FP4 PLUS shot at EI 200.Black and white negative film in 35mm format.Push processed 2/3 stop. RackedShot on ILFORD FP4 PLUS at EI 200.Black and white negative film in 35mm format.Push processed 2/3 stop.

"Ajar" - Shot on Kodak EKTACHROME E100VS a EI 200
Posted inMedium format

Photography: Ajar – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)

Avatar - EMby EMJune 4, 2015August 28, 2021

Ajar

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 120 format shot as 6×4.5Push processed one stop and cross processed

Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide

AjarShot on Kodak EKTACHROME

Smiles all round - Shot on Fuji Across 100 at EI 100. Black and white negative film in 120 format shot as 6x6.
Posted inMedium format

Photography: Smiles all round – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)

Avatar - EMby EMJune 3, 2015August 28, 2021

Smiles all round

Shot on Fuji NEOPAN 100 ACROS at EI 100Black and white negative film in 120

Cover - Film Review - Rollei Superpan 200
Posted inRollei Film Stock Reviews

Film stock review: Rollei Superpan 200 black and white negative film in 35mm and 120 format

Avatar - EMby EMJune 2, 2015August 28, 2021

Welcome to this review of Rollei Superpan 200 black and white film in 120 format.

“Growth” - Lomography Color Negative 400 at EI 400.
Posted inMedium format

Photography: Growth – Shot on Lomography Color Negative 400 at EI 400 (120 format)

Avatar - EMby EMJune 2, 2015August 28, 2021

Growth

Shot on Lomography Color 400 at EI 400Color negative film in 120 format film shot as 6×6

Fuji Superia X-TRA 400 - Plastic Fantastic Sunset
Posted inArticles

Welcome to EMULSIVE

Avatar - EMby EMJune 1, 2015August 28, 2021

Film photography amazes me.

Cover - Review - EKTACHROME 100VS
Posted inKodak Film Stock Reviews

Film stock review: Kodak EKTACHROME 100VS (E100VS) color slide film – 35mm and 120 format

Avatar - EMby EMJune 1, 2015August 28, 2021

Kodak EKTACHROME E100VS quickly become one of my favorites for its vivid look, ability to handle high-contrast, or very bright lighting conditions and the ease at which it can be pushed past its box speed.

In addition, the crazy

The sunny 16 rule
Posted inGuides & How-Tos

FAQ: How aperture, shutter speed and ISO affect your photography

Avatar - EMby EMJune 1, 2015August 28, 2021

Mastering photography is without a doubt a slow and laborious process, regardless of your choice of medium.

"Pushed to the MAX" - Kodak ULTRA MAX 400 (35mm)
Posted in35mm format

Photography: Pushed to the MAX – Shot on Kodak ULTRA MAX 400 at EI 1600 (35mm format)

Avatar - EMby EMJune 1, 2015August 28, 2021

Pushed to the MAX

Shot on Kodak ULTRA MAX 400 at EI 1600.Color negative film in 35mm format

Auburn shoots - Fuji Pro 160C shot at ISO100
Posted inGuides & How-Tos

What is depth of field?

Avatar - EMby EMJune 1, 2015August 28, 2021

Depth of Field (DoF) its use and control in your photography is crucial. When used effectively, Depth of Field can make the difference between a good photograph and a great one.

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Kwak - Shot on Kodak TMAX 100 (TMX) at EI 100 - Black and white negative film in 120 format shot as 6x6
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2016-06-07 - Behind the blue door - Fuji Pro 160NPC shot at EI100. Color negative film in 120 format shot as 6x6. Bleach bypass C-41 development.
Photography: Behind the blue door – Fuji Pro 160NPC (120)
Built to last - Fuji 500T 8573 shot at EI 500. Color motion picture film in 35mm format.Built to last - Fuji 500T 8573 shot at EI 500. Color motion picture film in 35mm format.
Photography: Built to last – Fuji 500T 8573 (35mm)
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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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