Author: EM
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Photography: Baby blue – Shot on Fuji 500T VIVID 8547 at EI 1000 (35mm format)
Baby Blue Shot on Fuji 500T VIVID (8547) at EI 1000. Color tungsten balanced motion picture film in 35mm format.
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Photography: Cornered – Shot on LomoChrome Purple XR 100-400 (120)
Cornered Shot on LomoChrome Purple XR 100-400 at EI 200 Color negative film in 120 format shot as 6×6
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Film notes: ILFORD FP4 PLUS 125
Following on from our recent review, here’s a quick reference for ILFORD’s fine detail, old school contrast monster, FP4 PLUS. Here’s what they have to say: “For high quality black and white photography, ILFORD FP4 PLUS is unrivaled.
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Photography: Pockmarked – Shot on Maco Eagle AQS 400 / Rollei Retro 400S (35mm)
Pockmarked Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI320 Black and white negative film in 135 format
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Photography: Dry dock – Shot on Fuji 64D 8552 (35mm)
Dry dock Shot on Fuji 64D 8552 at EI 64 Color negative motion picture film in 35mm format. There’s more from this roll of Fuji 64D 8552 motion picture film at the EMULSIVE Archives.
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Experimenting with Rollei Superpan 200 (with bonus infrared)
Today I’ve decided to give you all a look at the kind of results you can expect from Rollei’s Superpan 200 black and white film in 120 format.
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Photography: Two strokes – Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm format)
Two strokes Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 200 Black and white negative film in 35mm format
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EMULSIVE interview #1: I am Emericus Durden and this is why I shoot film
Welcome to the first in a new series of interviews here at EMULSIVE I think you’ll find the format rather refreshing, if possibly a little strange.
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Photography: Fixed motion – Shot on Rollei Superpan 200 at EI 400 (120 format)
Fixed motion Shot on Rollei Superpan 200 at EI 400. Black and white negative film in 120 format shot as 6×6. Push processed one stop. Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!  
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Film stock review: ILFORD FP4 PLUS in 35mm, 120 format and sheet film
Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.
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Photography: Gone fisheye-ing – Shot on Kodak Portra 400 at EI 400 (120 format)
Gone fisheye-ing Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6 30mm fisheye
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Photography: SPRUNG! – Shot on Kodak Tri-X 400 at EI 400 (120)
SPRUNG! Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 120 format shot as 6×6 Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.