Author: EM
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Photography: I’m watching you – Shot on Kodak Ektar 100 at EI 100 (35mm format)
I’m watching you Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format
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Photography: Behind door #3 – Shot on Kodak VISION3 250D 5207 at EI 250 (65mm format)
Behind door #3 Kodak 250D (5207) shot at EI 250 Color motion picture film in 65mm format Hand cut and rolled as 120 format
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Photography: Harlequin – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Harlequin Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format
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EMULSIVE interview #29: I am Shikha Makan and this is why I shoot film
Director and travel junkie Shikha Makan is today’s interviewee and what an interesting character she is. After Kodak closed its doors in India, a friend handed her hundreds (yes, hundreds), of rolls of expired Kodak Ektachrome.
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Photography: The Mo’s – Fujicolor industrial 400 (35mm)
The Mo’s Fujicolor industrial 400 shot at ISO400 Color negative film shot in 35mm format
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Photography: Ha – Shot on Kodak Tri-X 400 at EI 400 (35mm)
Ha Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!
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Photography: Taco Tuesday – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Taco tuesday Shot on Kodak 250D VISION3 5207 at EI 250 Color negative motion picture film in 35mm format
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EMULSIVE interview #28: I am Andrea Taurisano and this is why I shoot film
We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film
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Photography: N O ~ ~ O K I N ~ – Agfa Vista Plus 200 (35mm)
N O ~ ~ O K I N ~ Shot on Agfa Vista Plus 200 at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
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Photography: Fuchsia canopy – Shot on Kodak AEROCHROME III 1443 (120)
Fuchsia canopy Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×4.5 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME review  
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Photography: Mirror mirror – Shot on Kodak TMAX 100 at EI 800 (120 format)
Mirror mirror Shot on Kodak TMAX 100 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
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Photography: Skeletal – Shot on Fuji 400T 8683 at EI 400 (35mm)
Skeletal Shot on Fuji 400T (8683) at EI 400 Color tungsten-balanced motion picture film in 35mm format
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Photography: Shuttered – Shot on ILFORD FP4 PLUS (35mm)
Shuttered Shot on ILFORD FP4 PLUS at EI 125 Black and white negative film in 35mm format
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Photography: Grand theft pamplet – Shot on Kodak Pro Image 100 at EI 100 (35mm format)
Grand theft pamplet Kodak Pro Image 100 shot at EI 100 Color negative film in 35mm format
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Photography: Joist – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Joist Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Azure – Shot on Kodak Portra 160NC Unperforated at EI 100 (35mm format)
Azure Shot on Kodak Portra 160NC at EI 100 Color negative film in 35mm format Unperforated stock
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EMULSIVE interview #27: I am Colin Wilson and this is why I shoot film
Considered, methodological, quiet, contemplative. Today’s film photographer isn’t someone you’ll likely see running after the next shot.
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Photography: Luck of the damned – Fuji Acros 100 (120)
Luck of the damned Fuji Acros 100 shot at EI 400 Black and white negative film in 120 format as 6×6 Push processed 2 stops