Author: EM
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Film culture: Jo Farrell – Cuba
Introducing Cuba, an exhibition of Jo’s original 16” x 20” limited edition silver gelatin prints, printed by Jo Farrell for her new exhibition, which runs in Hong Kong From November 15-28th 2015 – only a few days left. Images featured
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EMULSIVE interview #37: I am Daniel J Schneider and this is why I shoot film
Today’s interviewee is a new media journalist in one of the prettiest parts of the grand old U. S. of A.
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Photography: Cafe culture – Shot on Ilford Delta 400 Professional (120)
Cafe culture Shot on ILFORD Delta 400 Professional at EI 1600 Black and white negative in 120 format shot as 6×6 Push processed two stops
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Photography: On the ropes – Shot on Fuji Pro 400H (120)
On the ropes Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6×6 Bleach bypass C41 processing Hasselblad Planar 80/2.8
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EMULSIVE interview #36: I am Erik Gould and this is why I shoot film
Thoughtful, measured and contemplative are just three words you can use to describe the approach of today’s interviewee, Erik Gould.
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Photography: Big brother – Shot on Fuji Pro 400H (120)
Big brother Shot on Fuji Pro 400H at EI 50 Color negative film in 120 format shot as 6×6 Over exposed three stops
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Photography: Derelict – Shot on Shanghai GP3 100 (120)
Derelict Shot on Shanghai GP3 100 at EI 400 Black and white negative film shot as 6×6 Push processed two stops
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Photography: Given the elbow – Shot on Rollei Superpan 200 at EI 400 (120 format)
Given the elbow Shot on Rollei Superpan 200 at EI 400 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Zodiak-B 30/3.5 fisheye Read the full Rollei Superpan 200 review here…and don’t forget the experimentation
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Photography: Warning: concealed restroom – shot on Kodak BW400CN (35mm)
Warning Shot on Kodak BW400CN at EI 400 Black and white negative film in 35mm format
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EMULSIVE interview #35: I am Jo Farrell and this is why I shoot film
We’ve been rather lucky in snatching some time with the one and only Jo Farrell, whom you may know from her long running project, Living History: Bound Feet. Jo has spent the past nine years getting to know and capturing
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Film stock review: Kodak AEROCHROME III color infrared film
Let me get this out of the way. AEROCHROME is hands-down my favourite film stock. Yes, that includes EKTACHROME E100VS and I implore you to try some AEROCHROME out if you can.
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EMULSIVE interview #34: I am Krist Mort and this is why I shoot film (NSFW)
Haunting, ethereal, dark, primal.
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Photography: Fizz (aka “after the rain”) – Shot on Rollei RPX 400 at EI 400 (120 format)
Fizz (aka “after the rain”) Shot on Rollei RPX 400 at EI 400 Black and white negative film in 120 format shot as 6×4.5
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Photography: Persici blossoms – Shot on Fuji Pro 400H at EI 400 (120 format)
Persici blossoms Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6×4.5 Hasselblad Planar 80mm f/2.8 – E16 macro extension tube
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Photography: Flightpath – Shot on Kodak Portra 400 at EI 200 (120 format)
Flightpath Shot on Kodak Portra 400 at EI 200 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #33: I am Kwasi Boyd-Bouldin and this is why I shoot film
Today we’re sitting down with Kwasi Boyd-Bouldin, one half of the co-founding team of LA-based Snapshot Galleria. Kwasi has been documenting the (changing) urban landscape of Los Angeles for more than decade;
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Photography: Temple cleaning – Shot on ILFORD FP4 PLUS shot at EI 100 (35mm format)
Temple cleaning Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format Read the full ILFORD FP4 PLUS review here.
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Photography: Snapshot Galleria
I’m taking time out today to take a look at Los Angeles-based Snapshot Galleria, a film photography zine co-founded by Kwasi Boyd-Bouldin and Erwin Recinos.