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EM

EM
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Overlord at EMULSIVE.org and all-round benevolent gestalt entity.

EMULSIVE interview #1: I am Emericus Durden and this is why...

Welcome to the first in a new series of interviews here at EMULSIVE I think you'll find the format rather refreshing, if possibly a little strange. Trust...

Photography: Archive: June 2015

Here are all of the daily photos posted at EMULSIVE in June 2015.  You can view all these images on one page at the...

Recap #1: June 2015 – a massive thanks

We're incredibly tribal, us humans. When we find people who share the same interests and values as us, we tend form collectives, stick together...

Photography: Surf’s out – Shot on LomoChrome XPRO 200 at EI...

Surf's out Shot on LomoChrome XPRO 200 at EI 200. Color slide film in 35mm format.      

Photography: Fixed motion – Shot on Rollei Superpan 200 at EI...

Fixed motion Shot on Rollei Superpan 200 at EI 400. Black and white negative film in 120 format shot as 6x6. Push processed one stop. Read the full Rollei Superpan...

Film review: ILFORD FP4 PLUS – 35mm, 120 format and sheet...

If I want to shoot a film with buckets of character and great, deep contrast at a moderate box speed, then more often than not, I'll...

Photography: Let there be light – Shot on Fuji Provia 100F...

Let there be light Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6x6 Read the Fuji Provia...

Photography: Gone fisheye-ing – Shot on Kodak Portra 400 at EI...

Gone fisheye-ing Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6x6 30mm fisheye      

Photography: SPRUNG! – Shot on Kodak Tri-X 400 at EI 400 (120)

SPRUNG! Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 120 format shot as 6x6 Read the Kodak Tri-X 400 review here. ...and don't...

Photography: Guarded dog – Shot on Kodak EKTACHROME E100VS (120)

Guarded dog Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6x4.5 Cross processed Read the EKTACHROME 100VS review Read the...

Push processing Kodak Tri-X 400 from EI 800 to EI 12800

Covering the results of experimenting with Kodak Tri-X 400, article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI...

Photography: Lotus – Shot on Fuji Provia 100F RDP III at...

Lotus Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6x6 Read the Fuji Provia 100F (RDP III)...

The photographer’s daypack – part 1: bare essentials

Spend an appreciable amount of time shooting and you'll find yourself "needing" things to make your life easier. I'm not talking about GAS (Gear Acquisition...

Photography: Purple Flare – Shot on LomoChrome Purple XR 100-400 at...

Purple Flare Shot on LomoChrome Purple XR 100-400 at EI 400. Color negative film in 35mm format.          

Field notes – Kodak Tri-X 400

Another quick reference guide for you all.  This time it's Kodak Tri-X 400.  As this article proved, Tri-X 400 is is the best film black...

Photography: Left Hanging – Shot on Shanghai GP3 100 at EI...

Left Hanging Shot on Shanghai GP3 100 at EI 400. Black and white negative film in 120 format shot as 6x6. Push processed two stops.          

Field notes – Kodak EKTACHROME E100VS

Kodak E100VS is a medium speed color reversal film (slide film), produced in 35mm and medium format.  The film was retired by Kodak in...

Experiments: cross processing and pushing Kodak EKTACHROME E100VS (E100VS)

Picking up from the original review, we're going to talk about experiment with Kodak EKTACHROME E100VS and the kinds of results you can expect...

Photography: Weighing the options – Shot on Kodak PROFESSIONAL ELITE Chrome...

Weighing the options Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.          

Photography: Through the window – Shot on Fuji Acros 100 at...

Through the window Shot on Fuji Acros 100 at EI 100. Black and white negative film in 120 format.