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Author: EMULSIVE

Film review – Kodak VISION3 250D 35mm motion picture film (5207)

The Imitation Game, Les Miserables, Lincoln, The Wolf of Wall Street, 12 Years a Slave and Argo…oh, and the upcoming Star Wars: Episode VII. What do all these movies have in common? The were all shot on good old motion picture film. In fact, they were all shot (in total, or in part), on Kodak’s VISION3 250D (5207) motion picture film. “Hang on”, I hear you say, “This is a film photography website. What does motion picture film have anything to do with all this?” Read on to find out 🙂   KODAK VISION3 Films continue to raise the...

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One careful owner – Shot on Kodak 250D 5207 at EI 250 (35mm format)

One careful owner Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support...

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Wishful thinking – Kodak 250D 5207 (35mm)

2015-08-04 – Wishful thinking Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support...

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Hallowed halls – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Hallowed halls Kodak 250D (VISION3 5207) motion picture film shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend...

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I am Antonio Biagiotti and this is why I shoot film

Here we are with another interview for you all. This time we’re sitting down with the incredibly passionate Antonio Biagiotti. Hailing from Northern Italy, Antonio is a moslty medium format photographer working in 6×7 using his Pentax 67ii. Antonio is as enthusiastic about photography as he is passionate and has an immense body of work, which captures Italy’s beautiful countryside, as well as its urban sprawl. Over to you, Antonio.     Hi Antonio, what’s this picture, then? AB: I am very fond of this photograph! After seeing the image, many people ask me if I had intentionally caused the snow...

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Astroboy – Shot on Kodak VISION3 250D 5207 at EI 250 (65mm format)

2015-03-03 – Astroboy Kodak VISION3 250D shot at EI 250 Color motion picture film in 65mm format shot as 6×4.5 Read the Kodak VISION3 250D review Bulk load your own 120 film       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend...

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Drifted – Kodak VISION3 200T 5213 (35mm format)

Drifted Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support to EMULSIVE Like what you see here? You can support EMULSIVE by...

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No parking – Shot on Ultrafine Xtreme 400 at EI 400 (120 format)

No parking Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format shot as 6×6       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support to EMULSIVE Like what you see here? You can...

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Potted – Shot on Kodak Portra 400 at EI 1600 (120 format)

Potted Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×6 Push processed two stops       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support to EMULSIVE Like what you see here?...

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Recap #2: July 2015 – stepping up

Month two simply flew by…was it that fast for any one else? Thanks for all the support this month. We had some great feedback, interesting suggestions for the future; and some deserved and undeserved sarcastic comments – thanks for them all! Looking back, well…we’re sorry that we didn’t make true on the reviews we had wanted to release but they are in the pipeline and as ever, we’d appreciate your suggestions for the month ahead. This month we sent off (and received) quite a few #filmswap packages and we’ll hopefully be covering the results over the coming weeks. We’ve also got...

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Flip flopped – Shot on Shanghai GP3 100 at EI 1600 (120 format)

Flip flopped Shot on Shanghai GP3 100 at EI 1600 Black and white negative film in 120 format shot as 6×6 Push processed four stops       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support to EMULSIVE Like what...

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Birch – Shot on Fuji Acros 100 at EI 400 (120 format)

Birch Fuji Acros 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed two stops       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support to EMULSIVE Like what you see...

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Innerscape – Shot on Fuji Eterna 500T (8673) at EI 500 (35mm format)

Innerscape Shot on Fuji Eterna 500T (8673) at EI 500 Color negative motion picture film in 35mm format       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support to EMULSIVE Like what you see here? You can support EMULSIVE...

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Follow the dragon – Shot on Shanghai GP3 100 at EI 100 (120 format)

Follow the dragon Shot on Shanghai GP3 100 at EI 100 Black and white negative film in 120 format shot as 6×6       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support to EMULSIVE Like what you see here?...

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Extinguished – Shot on Shanghai GP3 100 at EI 400 (120 format)

Extinguished Shot on Shanghai GP3 100 at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed two stops       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support to EMULSIVE Like what you...

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I am Jonas Lundström and this is why I shoot film

Today we’re very happy to have the opportunity to interview the incredibly enthusiastic Sprocket-Shooting-Swede, Jonas Lundström! Jonas is a bit of a force of nature when it comes to experimenting with and talking about film and we’re looking forward to hear what he has to say. Let’s jump in!     OK Jonas, what’s this picture about? JL: It’s summer, I’m heading out to the archipelago and I’m feeling like some experimenting. Said and done, I took an old spool and paper from a 127 rollfilm I’d shot previously and loaded it with some 35mm color neg film. Knowing that the camera...

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Ride the big wheel – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)

Ride the big wheel Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 Black and white negative film in 35mm format       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support to EMULSIVE Like what you see here? You can...

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Red Algae – Kodak AEROCHROME III 1443 (120)

Red Algae Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6Ă—6 Shot with #21 orange filter Read the Kodak AEROCHROME review       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your...

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Boarded – Kodak EKTACHROME 100VS – E100VS (120)

Boarded Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.    ...

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Big block – Eastman Double-X 5222 (35mm)

Big block Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 3200 Black and white negative film in 35mm format Push processed 4+2/3 stops     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Lend your support to EMULSIVE Like what you see here? You...

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