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Author: EMULSIVE

Filing – Ultrafine Extreme 400 (120)

Filing Ultrafine Extreme 400 shot at EI 400 Black and white negative film in 120 format shot as 6×6     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support EMULSIVE by helping to...

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Secured – Kodak Tri-X 400 (120)

Secured Kodak Tri-X 400 shot at EI 800 Black and white negative film in 120 format as 6×4.5 Push processed one stop     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support EMULSIVE...

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To let – Fuji Pro 160C (120)

To let Fuji Pro 160C shot at EI 160 Color negative film in 120 format shot as 6×6     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support EMULSIVE by helping to contribute...

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Between adventures – Lomochrome Purple XR100-400 (120)

Between adventures Lomochrome Purple XR100-400 shot at EI 400 Color negative film in 120 format shot as 6×6     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support EMULSIVE by helping to contribute...

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凱 / Kǎi – Kodak Ektar 100 (120)

凱 / Kǎi Kodak Ektar 100 shot at EI 100 Color negative film in 120 format shot as 6×6     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support EMULSIVE by helping to...

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No entry – Fujicolor 100 (35mm)

No entry Fujicolor 100 shot at EI 100 Color negative film in 35mm format Expired 1999     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support EMULSIVE by helping to contribute to the...

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Blue – Fuji Superia Premium 400 (35mm)

Blue Fuji Superia Premium 400 shot at EI 1600 Color negative film in 35mm format Push processed three stops     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support EMULSIVE by helping to...

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Spitfire – Shanghai GP3 100 (120)

Spitfire Shanghai GP3 100 shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed three stops     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support...

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I am Michael Jackson and this is why I shoot film

Some of us take up a photographic study of a particular form of photography; perhaps focusing on macro images, animals, insects, portraiture. What’s the longest time you’ve spend on a singular study? A few weeks? A few months? Perhaps a year? How about eight years…and counting? That’s exactly what Michael’s been doing over at Poppit Sands, near Cardigan in Wales. Michael’s a multiple time Hasselblad Masters Award finalist, who has toured and exhibited extensively. We’re really rather pleased to have been able to grab him for a quick chat, so without further ado, it’s over to Michael.    ...

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Feed me – Kodak Portra 400 (120)

Feed me Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot at 6×6     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support EMULSIVE by helping to contribute...

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Lamina leaf – Agfa Vista 200 (35mm)

Lamina leaf Agfa Vista Plus 200 shot at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support...

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Crabby bunch – Agfa Vista 200 (35mm)

Crabby bunch Agfa Vista Plus 200 shot at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support EMULSIVE...

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Ferruginous – Kodak Portra 400 (120)

Ferruginous Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×6 Partial double exposure / end of roll       Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You...

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I am David Toman and this is why I shoot film

Here we are again for a sit-down with another film photographer. Today we’ve grabbed some time with David Toman, an enigmatic New Yorker currently entrenched in Taiwan – David is known locally as “涂景文” (Tú Jǐng Wén), in Mandarin Chinese. [EMULSIVE: Update – as of June 2016, David is now based in the Bay Area!] Known to his friends as a “Formerican” (Former American on Formosa – another name for Taiwan), David is a professional sports/portraiture photographer, mixing digital and film for both work and pleasure. We heard he recently finally procured a purple lens filter. God knows what...

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Propped – Kodak Tri-X 400 (120)

Propped Kodak Tri-X 400 shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed one stop     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support...

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Recap #4: September 2015 – decisions, decisions

Welcome one and all! That’s month four under the belt. How did it go for you?   We’re into month two of our twice-weekly interviews and whilst time is an ever-present constraint, we’ve decided to continue with the format for the time being (possibly!). In fact, we’d really like your thoughts either in the comments, or via Twitter. Should we continue as we are, or switch back to the once-per-week format? The reason for asking is that we don’t want to do a disservice to the wonderful interviewees who’ve taken the time to get involved and talk to us. If...

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Picket fence – Fuji Velvia 100 – RVP 100 (120)

Picket fence Fuji Velvia 100 (RVP100) shot at EI 100 Color reversal (slide) film in 120 format shot as 6×6     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support EMULSIVE by helping to contribute...

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Carved – Fuji Pro 400H (120)

Carved Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6     Write for EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.To take action and help drive an open, collaborative community all you need do is read this and then drop me a line.     Supporting EMULSIVE Like what you see here? You can support EMULSIVE by helping to contribute to...

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