Author: EM
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Two years of EMULSIVE – a retrospective
Ladies and gentlemen, esteemed readers and all of you who have no idea what this website is, welcome to two years of EMULSIVE! Time really does fly when you’re having fun or in my case, burning film.
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EMULSIVE interview #142: I am Don Lupo and this is why I shoot film
Today’s interviewee doesn’t always share much of his own work on Twitter but take a peek on Instagram or his website and it’s a totally different story. I’m so happy to be able to bring you the words and pictures
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Welcome to #SummerFilmParty 2017, celebrating the films we shoot when the sun is shining and the days are long
UPDATE 03: 2017-07-18 – June’s Shortlist is here: The shortlist for June 2017 has been released.
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Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Stark Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format
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Photography: Nameless launch – Kodak T-MAX 100 (120)
Nameless launch Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 120 format shot as 6×6 Orange 21 filter
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Photography: Down the middle – Shot on Kodak Portra 160NC at EI 100 (120 format)
Down the middle Shot on Kodak Portra 160NC at EI 100 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #141: I am Phil Harrison and this is why I shoot film
Readers with even the shortest of memories will remember today’s interviewee from his guest review of FILM Ferrania’s FERRANIA P30® emulsion back in April.
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Photography: Number 66 – Shot on Kodak Portra 160NC at EI 100 (120 format)
Number 66 Shot on Kodak Portra 160NC at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Down time – Shot on Kodak Portra 160NC (120)
Down time Shot on Kodak Portra 160NC at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Morning layers #02 – Shot on Kodak Portra 160NC at EI 100 (35mm format)
Morning layers #02 Shot on Kodak Portra 160NC at EI 100 Color negative film in 35mm format
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Welcome to Film Photo Chat and Camera Detox
Welcome to two brand new film photography Facebook groups designed to create a space for long-form discussion between the EMULSIVE community, as well as fulfilling the idea of a trading platform, which was floated by members of the community in
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Photography: Not a care in the world – Arista Premium 400 (35mm)
Not a care in the world Shot on Arista Premium 400 at EI 400 Black and white negative film in 35mm format Whaddya know. Arista Premium 400 is Kodak Tri-X 400.
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Photography: Inside the lion’s mind – Cinestill 800T (120)
Inside the lion’s mind Shot on Cinestill 800T at EI 800 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #140: I am Roger Harrison and this is why I shoot film
This has been a tough interview to put together. Tough because, as you’ll see below, it’s been an absolute nightmare picking which one of Roger Harrison’s beautiful Fuji Velvia 50 photographs to feature as the cover for this article.
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Photography: Out on a limb – Ultrafine Xtreme 400 (120)
Out on a limb Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format shot as 6×12
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Photography: To the beat of the same drum – Fuji Superia 1600 (35mm)
To the beat of the same drum Shot on Fuji Superia 1600 at EI 1600 Color negative film in 35mm format Developed in Rodinal (1+100 / 20c / 60:00)
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Photography: Off the wall – Kodak T-MAX 400 (120)
Off the wall Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×12 Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5