Film Review: Lucky New SHD 100 Part 2 – 35mm EI...

Welcome to part two of my review of Luckyfilm's NEW SHD 100 black and white negative film. This article describes the film shot at...

Repulsion to attraction: my Kodak T-MAX 400 story so far

Kodak T-MAX 100 is undoubtedly the film I prefer after Tri-X 400 but despite this T-Grain appreciation, I have never been able to fully...

Not a sous vide cooker: Cinestill’s ºCs “Temperature Control System” TCS-1000...

Available on backorder today starting at $99.95 and shipping from 10th October 2018, Cinestill's ºCs TCS-1000 is a compact home film development device created...

Write for EMULSIVE

The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. I do what I can through this...

Travelogue: Moroccan autumn – Lorraine Healy

In October 2015 I spent 10 days in Morocco with a small group of photographers led by Lee Frost, the renowned English landscape photographer....

EMULSIVE August 2018: month in review

Welcome to the 31 days, 26 articles and 23 Daily Photo posts that was August 2018 here on EMULSIVE. EMULSIVE Santa 2018 opened its...

Camera review: Impossible I-1 – by Russell Jones-Davies

Up until the recent release of the One Step 2, the Impossible I-1 was the first new Polaroid camera in how long? From the...

April 2018 film photography horoscope – ‘mystic’ help to better photography

Barry is back and this time he's not messing about. I've been reliably informed he attended a few more of his "horology" courses this...

FP4 Party: Best of November 2016

Welcome to the 3rd #FP4Party after party, celebrating the #FP4Party that was November 21st-27th 2016. As with FP4 Party September and October 2016, we’d like your help...

5 frames with… Kodak T-MAX 100 ( EI 25 / 35mm...

This camera came out of left field to me. I have run the #halfframeclub for almost 2 years, but this camera never fit my...

5 Frames With… Rollei CR200 (EI 200 / 35mm / XPRO...

Rollei CR200 is a color reversal film, but, yep: but! This film as very few of the attributes we generally associate with color reversal...

Announcing Earth Stands Still by Nils Karlson

We're happy to announce the latest project by past interivewee and friend of EMULSIVE, Nils Karlson: Earth Stands Still. Nils' interview remains as one of...

Camera review: the Kodak Instamatic 500 or, why I love 126...

The Kodak Instamatic 500 was the “jewel in the crown’ of the Kodak Instamatic line. This my review of the camera and a shout...

Why shoot film part 1: the Leica CL – by Simon...

Although I'm still only starting out with my exploration of film photography I have a few images already that I feel indicate where my...

Film review: Thoughts on using CineStill 50D in the Arctic Circle...

Having read a selection of blog posts and reviews about the CineStill range of 120 and 135 films I was intrigued. So during a...

Film review: Agfa Vista Plus 200 – 35mm format

We're back with the second of our #FILMSWAP reviews. This time, we're looking at a little stock you might be familiar with; AgfaPhoto Vista Plus 200....

Camera review: getting back on the bike with the Intrepid 4×5...

It sounds very grand when you tell people that you are having a field camera made for you. I certainly felt grand and excited...

5 Frames With… ILFORD HP5 PLUS (EI 400 / 35mm /...

When in doubt, reach for ILFORD HP5 PLUS. This has been my film photography rule the last little while. With exception of a few...

My home: Mauritius Island – Keivan Cadinouche

When one flatters the beauty of Mauritius Island, one tends to quote the American writer Mark Twain who would have said, during a visit...

5 Frames With… Kodak Portra 400 (EI 320 / 120 Format...

On August 21, 2017, thousands of people converged on Alliance, Nebraska, as one of the prime Solar Eclipse viewing locations in North America. NO...