We're sitting at the week before the start of FP4 Party #04 and that can only mean one thing: time to revisit the October's Party #02 and make a few announcements! You'll remember that we wrapped up the best of
These pictures were all captured with my Zero Image 2000 6x6 pinhole camera on Kodak Portra 400 film.
My ILFORD FP4 PLUS development times article seemed to cause quite a buzz.
My name is Madison Somerville and I shoot exclusively on film with my Mamiya 7II and Pentax 67.
One Saturday in mid-October 2015 I decided to take a walk over to my preferred film lab and put some freshly developed black and white negatives in for scanning.
I got a sample roll of Kodak VISION3 250D (5207) as a roll of "SFL K250D".
The tungsten aesthetic really is my thing.
2017 年對底片界來說真是可圈可點。現在不過是二月份而已我們就已經可以接受到新產品了。 KODAK EKTACHROME 100 - 彩色正片 KODAK EKTACHROME 100 從這世界上消失了足足兩年，KODAK 在2017從新推出了這款底片。他不只會有 135, 36張的規格，他也將推出 Super 8 電影底片。 這款底片是ISO100。比較值得一提的是他是俗稱的正片，也就是說他是可以直接上投影器來顯示照片的。 (右圖：以前的包裝） KODAK EKTACHROME 100 說明： FERRANIA P30 (Alpha) - 黑白負片 FERRANIA P30 (Alpha) 由 Nicola Baldini，Ferrania
I've been shooting film most of my life, I'd say about 75% of my photos reside on Kodak Ektachrome slide film. When the digital age took over I got away from shooting film for a while.
My aunt picked me up a 1948 Ferrania Rondine box camera (127 format!) at a yard sale a while back and it's been used sparingly over the years, mostly sitting on a shelf in my house gathering dust. I don't
If there was ever a form of printing that gives you that true artistic feel, Platinum/Palladium would be it.
English version here: https://emulsive.org/experiments/black-and-white-fuji-instax-photographic-experiments Mi chiamo WhatsBehindThat e faccio foto. La mia prima foto e’ stata fatta con una Yashica, dopo che mio fratello mi spiego’ come leggere la tabella dei valori dietro al flash e come impostare
Fuji Velvia 50 is my favourite colour film. The colours, saturation and contrast are unique. It's especially good for golden hour colours around dawn and sunset.
In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.