5 Frames With… ILFORD FP4 PLUS (EI 125 / 35mm /...

Paris is my favourite city for photography and I go there as often as I can. For shooting film, I like to take my...

EMULSIVE Secret Santa 2018 – Public registration is now open

Update 2018-11-05: Registration is now closed at 1200+ players in 54 countries but you can and should still make a "Community Causes" nomination or two for...

Camera review: the Hasselblad 500C/M

In high school I bought myself a Minolta Maxxum 3000i with some off-brand lenses. It worked great as a point and shoot on drugstore...

Film Review: Kodak Pro Image 100

I’ll begin this review with a quick disclaimer - I’ve been shooting film for less than a year at this point. During this time,...

EMULSIVE October 2018: month in review

Welcome to the 31 days, 24 articles and 23 Daily Photo posts that was October 2018 here on EMULSIVE In case you're wondering, November's...

Every single film stock still made today – Part 7: the...

This is the final part of my series covering every single one of the 180+ photographic film stocks still being made today. I'll be breaking...

My first time with slide film: new Kodak EKTACHROME E100

Most of the frames which make up this mini-review are from the first roll of slide film I ever shot or developed myself (using...

Scanning film: Canon 5D Mark II vs Drum scanner vs Epson...

Preface This article originally appeared over at Addicted2light in November 2012 and has been kindly updated by author Gianluca Bevacqua. Gianluca's taken a bit of time...

Camera review: Mamiya 645 1000S by Tim Dobbs

The Mamiya 645 1000S was not my first medium format camera. I dabbled with a Lubitel 166 followed by a Mamiya C3 both of...

Camera review: Mamiya Press Super 23 and Mamiya Universal Press –...

I'm here today to provide you with my review / comparative overview of the Mamiya Press Super 23 and the Mamiya Universal Press cameras....

Film review: Rollei Infrared 400

I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival of the whole industry. Virtually...

Push processing Kodak Tri-X 400 from EI 800 to EI 12800

Covering the results of experimenting with Kodak Tri-X 400, article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI...

The Hasselblad V-System master guide: C and C T* lenses

There's no arguing that in the V-System, Hasselblad created one of, if not the world's most comprehensive and flexible medium format camera system. The V-System...

Ready to roll – Shot on Fuji Velvia 100 RVP100 at...

Ready to roll Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal film in 35mm format Cross processed Read the Fuji Velvia 100 (RVP 100) review...

Camera review: Bronica SQ-Ai – by Adrian Vila

Just a few months ago, I was happily shooting digital. But my work was lacking something. Soul, perhaps. And I was getting tired of...

5 Frames With… Lomography Color Negative 400 (EI 400 / 120...

Here is an introduction to a local festival that may surprise you! And a camera that I have not mentioned before, although it is...

Camera review: me and my Olympus 35 SP by Matt Parry

The Olympus 35 SP holds a SPecial and somewhat privileged status in my pretty modest camera collection. For around seven months it has been...

Film review: comparing Fuji ACROS 100, ILFORD Delta 100 Professional and...

This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without...

5 Frames With… Kodak Tri-X 400 (EI 400 / 35mm /...

Aside from the fact these photos were taken in the streets, they stray far from traditional street photography. Under the July sun in Albuquerque's...

5 Frames With… Kodak EKTACHROME E100 (EI 100 / 35mm /...

I have to start with saying of late my taste in colour film has been changing. My first interest in colour film started with...