How to take the leap into 35mm film photography – Daniel...

In this article, I will go over the steps you need to take and the decisions you need to make to enter the wonderful...

Camera review: Mamiya Press Super 23 and Mamiya Universal Press

I'm here today to provide you with my review / comparative overview of the Mamiya Press Super 23 and the Mamiya Universal Press cameras....

Camera review: Mamiya 645 1000S by Tim Dobbs

The Mamiya 645 1000S was not my first medium format camera. I dabbled with a Lubitel 166 followed by a Mamiya C3 both of...

Film review: comparing Fuji ACROS 100, ILFORD Delta 100 Professional and...

This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without...

Cinematic storytelling part 1: an overview of motion picture film and...

This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks,...

How to build a simple Arduino shutter speed tester – by...

I've been stuck in my house filling orders for my Kickstarter campaign for the CAMERADACTYL 4x5 Field Camera, mostly just babysitting printers, changing filaments...

Black and white film high EI shootout part 2: Kodak Tri-X...

The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping...

Cinematic storytelling part 2: motion picture film, print film and chemistry

In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs...

How to build a photography website in 2019…what you need to...

The new year is upon us but it needn't be filled with broken resolutions, especially if you've committed yourself to create a new photography...

Every single film stock still made today – Part 7: the...

This is the final part of my series covering every single one of the 180+ photographic film stocks still being made today. I'll be breaking...

The Hasselblad V-System master guide: C and C T* lenses

There's no arguing that in the V-System, Hasselblad created one of, if not the world's most comprehensive and flexible medium format camera system. The V-System...

5 Frames With… Fomapan 100 Classic (EI 25 / 120 /...

A few weeks ago I travelled to Con Dao island in Southern Vietnam - one of the very few destinations which are yet to...

Film Review: Kodak Pro Image 100

I’ll begin this review with a quick disclaimer - I’ve been shooting film for less than a year at this point. During this time,...

EMULSIVE’s most popular film stock reviews of 2018

It's the fourth article in 2018's end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course...

Creating the GX-Pan: a wide format cinematic Hasselblad

I’ve always been fascinated by the cinematic look of movies. One of the many factors that go into making a movie look “cinematic” is...

How to make a TEXPan: shoot wide-format 35mm film in the...

In this article, I'll be showing you how to very simply modify your Fuji medium format rangefinder to shoot wide-format 35mm film (aka make...

Camera review: me and my Olympus 35 SP by Matt Parry

The Olympus 35 SP holds a SPecial and somewhat privileged status in my pretty modest camera collection. For around seven months it has been...

Film review: Rollei Infrared 400

I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival of the whole industry. Virtually...

EMULSIVE Secret Santa 2018 – Public registration is now open

Update 2018-11-05: Registration is now closed at 1200+ players in 54 countries but you can and should still make a "Community Causes" nomination or two for...

EMULSIVE’s most popular film camera reviews of 2018

Merry Christmas to everyone celebrating today! It's time for the second of seven "Best Of 2018" articles, so if you're quite done stuffing your...