This is the story of a photo project which started on a whim and grew into something far bigger than I’d imagined. Fingers crossed it’s not finished yet, but more on that later.
There's a new camera on the block and it just so happens to be the latest addition to the CAMERADACTYL family. I call it the HOMONCULUS 69 - because it can take photographs up to 6x9 in size.
With their 100-year anniversary coming up in 2021, Foma Bohemia, makers of FOMAPAN black and white photographic film and papers is popping the cork a little early with three new, limited edition "retro" 1930s styled box art for its
It's time to simplify and demystify the dark art of connecting legacy film scanners and other hardware to modern computers.
See the latest updates (2019-06-25) at the foot of this page. Retailing at just $3.50 per 36 exposure roll, another new film stock for 2019 has been announced in the form of 35mm Shanghai GP3 100, which was made
To answer this question, I researched the foundations of film and digital photography; and which factors can influence the style of the results for my bachelor thesis.
What if you had a scanning solution for color negative and black and white film that enabled you to scan and convert a whole roll of 35mm film in less than 15 minutes and all that in next to
Updated with additional details, speculation and sample images. Picked up just a few moments ago is the heart-stopping news that Fujifilm is officially bringing black and white films back to the market in Autumn 2019 with the all-new NEOPAN
Changing Gear is a new series here on EMULSIVE where photographers are invited to talk about equipment or events that have changed the way they approach the world through their lens.
It all started with some idle musings between a few photographers. Some were expressing a bit of disdain for the "selfie generation", which triggered a chain of thought that lead me to a fusion of pop-art and selfies.
The recent the opening of the SilvergrainClassics Studio/Lab in Germany gave Marwan El-Mozayen, editor-in-chief of PhotoKlassik International and co-owner of the lab the chance to organize an impressive meeting of the minds. There was an opportunity to let company
Some of my classic cameras remind me of the fascinating history of photography. Recently I wanted to see if I could make instant prints with my Speed Graphic press camera.
There are a few reasons it's taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most
I want to spread the idea that a photographic enlarger is fundamentally a very simple thing.
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