Please be aware that some subjects and depictions in this story may be uncomfortable reading. I make no apology for that, but please go into this with your eyes open.
Hello, my name is Anil Mistry. I love messing with both film and digital cameras and I shoot lots of street portraits.
My first film camera was a Mamiya c330 system TLR.
This article isn't on photography per se, it's about cameras, it's about our cameras.
We're incredibly proud to bring you the first in what will hopefully be a new series of articles focused on providing a more educational look at certain aspects of film photography.
Every time we pick up our cameras we probably take them for granted.
Today's rant is something that I've been trying to formulate for a while, it came to a head whilst I was walking around Saltaire with my girlfriend.
If you boil a potato long enough; it will become soft. Boil an egg long enough and it will become hard.
This article is part diary, part camera review, part lens review, and part film review, all based around my average day-to-day exploits as a film-based street photographer and photojournalist in London.
Everyone has a dream camera. I have...well, a dream team: a set of cameras designed to meet specific needs and moods, from the small to large formats.
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...
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