Relationships that are established by geometry, and then, gesture and light, those are often the hallmarks of a successful photograph. We're incredibly pleased to be able to talk to you about Joseph Gamble's new quasi-photographic retrospective, which kicked off on
Merry Christmas and good day to you all! That time of the year is nearly upon us and festive merchandise can already be seen creeping onto the shelves of supermarkets and department stores the world over. Whilst I don't want
Merry Christmas and good day to you all! That time of the year is nearly upon us and festive merchandise can already be seen creeping onto the shelves of supermarkets and department stores the world over. Whilst I don't
Well, it seems like we hit a nerve with Jonas Lundström and he's out for blood. With all the hubbub surrounding Holga Week 2015, he wrote in to complain softly ask why we haven't yet featured any "toy cameras".
A little while ago, I covered my recommendations and rationale for the basic photographer's daypack - a small, light pack of essential items for any film photographer.
Picking up from my original Provia 100F review, I'm going to talk about how we can experiment with this film and the kinds of results you can expect. In this article, we'll be talking about pushing, cross processing and
Today I've decided to give you all a look at the kind of results you can expect from Rollei's Superpan 200 black and white film in 120 format.
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Spend an appreciable amount of time shooting and you'll find yourself "needing" things to make your life easier. I'm not talking about GAS (Gear Acquisition Syndrome), but all those little accessories and gadgets you might feel will make your time
Picking up from the original review, I'm going to talk about experiment with Kodak EKTACHROME E100VS and the kinds of results you can expect from pushing and cross processing the film and then pushing and cross processing this film.