Category: Articles
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The Cocotte Fred: One bag to rule them all
I’ve been remiss in writing on this blog, and for that I apologize. I return to form in a new year with a review to share. I’ve been searching for years for the right bag. Not just a camera bag, because those are thick on the ground. I use a camera bag differently than some,…
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5 Frames… Of alien landscapes in Murmanskaya state on a Leica M7 and Voigtlander Ultron 21mm f/1.8 (EI 400 / 35mm format / ILFORD HP5 PLUS)
I made these pictures in Murmanskaya State, Russia in Autumn 2019, when I was working as the producer of a photo crew and we travelled to various industrial facilities. But I am a photographer and can’t be without my camera. The north itself has fascinated me, but industrial landscapes add even more notes of meditative…
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One Giant Leap… Remastering high-resolution images of NASA’s race to the Moon
NASA’s photographic documentation of their 20th century race to the Moon forms part of one of the most significant historical records of our time. The photographic films and cameras used were arguably the best of their day, so why is it then, that the vast majority of the photographs appear to be of a low…
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5 Frames… Of “stay at home” Nikkorex F goodness with the Nikkor-S 5cm f/2 (EI 200 / 35mm Format / Kodak MAX 200)
My Dad gifted me his Nikkorex F many years ago, but I had never shot it until recently. During this time of “staying at home”, I thought it would be a great opportunity to put a roll of film through the now 55+ year-old Nikkorex. For my film choice, I decided to try one of…
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5 Frames… Of 35mm film in a Fuji GSW690II: Fun with my TEXPan (EI 100 / 35mm format / Kodak Ektachrome E100)
It all started last year when I began my dive into film photography: all those 35mm and 120 film cameras were so exciting… And then I stumbled on one camera that was special, not only in my beginner’s opinion, but for a lot of photography people out there – The Hasselblad Xpan. Quick forum research…
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Month in review: June 2020
These are the 30 days and 58 articles that made EMULSIVE in May 2020. As usual, you’ll find a recap of all the articles published, starting with the most popular 10 articles of the month in order of publication (as decided by you). Enjoy! ~ EM
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Global Nikon F6 product recall…for 152 cameras
Nikon has issued a recall of all Nikon F6 35mm film SLR cameras “manufactured and/or sold after July 22, 2019“. The camera, first released in 2004 is the last of Nikon’s F range of flagship cameras, which started back in April 1959 with the imaginatively named Nikon F – affectionately called the “Big F” by…
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5 Frames… Of black and white Fuji 8573/500T in Rodinal with a Leica M4-2
I had a 400ft reel of expired 8572 kicking around the boat, and decided to load 100ft into cassettes to start shooting. I’ve heard horrendous stories of expired Fuji cine films just not holding up like their Kodak Vision counterparts… But, I got a great deal on this reel and figured it was worth testing…
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4 Frames… With a historic Disney family camera at Walt Disney’s boyhood home on Kodak T-MAX 400 (EI 400 / 120 format / 1909 Kodak Brownie No.2A Model B)
In 2017 while searching through junky point and shoot Disney film cameras on eBay, I found an interesting one: “DISNEY ESTATE KODAK CAMERA FROM 1909 KODAK #2A BROWNIE CAMERA DISNEYLAND LOA”. At the end of the auction, I was the only bidder! I could not believe my dumb luck. It arrived with full documentation (which has…
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Film Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200
I’ve often described how I think that people looking for a different “look” from film would be better suited exposing and developing in a different way before they’d see any benefit from switching emulsions. Unless someone is searching for a specific “effect” in terms of grain structure, or halation, then most films will produce fairly…
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5 Frames… Of the Asparagus Capital of England with ILFORD XP2 Super (EI 400 / 120 format / Pentax 645N)
The pandemic lockdown has created unique photographic opportunities within more limited parameters. I decided to explore areas of the countryside near my home. Places I had previously ignored as too dull and unappealing. I live in an area known as the Vale of Evesham in the midlands of England. The fertile agricultural land is flat…
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REscanning boutique and special effect films: Revisiting my 5 Frames with LomoChrome Purple XR 100-400
Back in February I shot my first roll of LomoChrome Purple XR 100-400 while I was on holiday in Barcelona. Once I got back I eagerly despatched my films to the UK-based lab I’ve used for years and awaited their return. When I got my scans back they seemed very purple, but not really knowing…
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5 Frames… With ILFORD HP5 PLUS pulled 3-stops (EI 50 / 35mm format / Leica M4-2)
My “go-to” B&W film in all formats that I shoot these days seems to be ILFORD HP5 PLUS. I actually didn’t really enjoy it all that much when I started shooting film. I was a Pan F 50 kinda shooter, then I discovered Fuji’s NEOPAN 100 ACROS and when that disappeared I went to Delta…
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Yashica-B review: the lovable “rare” TLR camera
I’ve been fascinated with Twin Lens Reflex (TLR) cameras ever since I can remember, and even before I knew what a TLR was — I just knew them as these beautiful, quirky little photograph-taking boxes that appeared in the hands of famous and not-so-famous people dressed in 1950s and 60s attire. They had appeal, they…
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5 Frames… Of CPR Lambton Yard with Svema Fn64 (EI 64 / 35mm Format / Zenit-E)
In the beginning, there were trains. Model trains, then train watching, or railfanning, and then it led to a photography rabbit hole. Desire to get better, more impactful train photos fueled my passion for photography in general. A few years later, and I find myself shooting exclusively on film and mostly nature and landscape. Just…
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5 Frames… Of socially distanced life on ILFORD FP4 PLUS (EI 125 / 120 format / Weltaflex TLR)
These images were shot on a 1950s Weltaflex TLR with its 75mm f/3.5 Ludwig Meritar lens, using ILFORD’s FP4 PLUS at box speed (EI 125). I developed the negatives in Kodak’s HC-110, dilution B. As I don’t own a medium format-friendly scanner, I digitised the negatives using a digital camera and extension tubes. The photographs…
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Graz on lockdown with snapped film: Kodak ColorPlus 200 and Olympus OM-1 with Zuiko 55mm f/1.2
Have you ever broken photographic film? Broken as in snapped it in half and then opened the back of the camera to see what no photographer wants to see: naked undeveloped exposed film? Fret not you have not lost everything. In this post, I made the mistake of opening the camera thinking the film was…
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My First Roll… Of 120 film: ILFORD HP5 PLUS on a Mamiya RB67 at Palm Springs Air Museum
A return to film. Again… For the fourth time. Yep, FOUR TIMES. I learned on film, eventually abandoned for digital due to work, got bored of digital and went back to film, got a digital Hasselblad, got obsessed with pixel-peeping and left film. Sold the ‘Blad, picked up a shitty Kiev 88 for $60 with…
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5 Frames… On Kodak Eastman Double-X 5222 (EI 250 / 35mm format / Nikon FE2)
I don’t know how common a problem this is in the film community, but I’m the type of photographer who loads multiple cameras with film (for different occasions of course) and then takes forever finishing them all. When I started taking a darkroom class at my local art college, I knew I would have to…
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5 Frames… Of The Tagus River on Kodak ColorPlus 200 (EI 800 / 35mm format / Nikon F100)
I enjoy waking up early and just walk, which are two great things that combine well with photography. I bring my camera with me on my commute, get out of public transportation earlier and walk to work for half an hour. It’s very fortunate being able to walk along the Tagus River in Lisbon and…