My ILFORD FP4 PLUS development times article seemed to cause quite a buzz.
Let me get this out of the way: I unashamedly love Let's Explore Magazine. The idea, the platform, the Kickstarter campaign and the beautiful outpouring of support that was the result of Issue 00 hitting doormats the world over at
The first #FP4Party shoot week is done! What better way to celebrate it than collecting a few of the most shared and commented posts on Twitter and showing them off in one place?
Over the years I've built up a large bank of development times and schemes for many black and white films, old and new;
Sometimes things happen fast and sometimes they happen REALLY FAST. #FP4Party falls into the latter end of that speedy spectrum. What started out as a few comments on a post of one of my favorite Ilford FP4+ photographs quickly turned
Lisbonne est l'une des villes préférées des touristes Français. Ca tombe bien pour moi qui était à la fois l'un et l'autre, durant l'été 2013.
Cloud machine Kodak Hawkeye Traffic Surveillance Color Film 2486 shot at EI 800 Color negative film in 35mm format
The title of my project, A War Without Blood and Gore, comes from a line in a Vietnam War-era protest song by the American singer-songwriter Phil Ochs entitled “Draft Dodger Rag”.
One of Manila's famous writers and stalwart sons* once said, "The Philippines spent 300 years trapped in a convent and 50 years in Hollywood." This cheeky reference about the country's history under Spanish and American rule has since then been
Preface This article originally appeared over at Addicted2light in November 2012 and has been kindly updated by author Gianluca Bevacqua. Gianluca's taken a bit of time to update his initial findings with his updated DSLR "scanner", a Sony A7r.