Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

Welcome to part three of the AEROgraphic Project! There's no time for preamble, as this is where things start to get really interesting (and fun).

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

Welcome back for part two of the naked Aero Ektar Speed Graphic project.

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

This is the first of a six-part series in which I will describe the process of creating a "naked" Graflex Pacemaker Speed Graphic 4x5 camera and Kodak Aero Ektar lens combination;

How to make and experiment with homemade redscale film – by...

This article covers making and experimenting with redscale film at home.

How to: An introduction to wet plate collodion

You might remember that we featured an interview with Robert Marsters some months ago.

Visualisation for film photographers by Richard Pickup

We're incredibly proud to bring you the first in what will hopefully be a new series of articles focused on providing a more educational look at certain aspects of film photography.

Developing motion picture film in your own darkroom by Mr. D...

Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film

How to bulk load 120 or 220 film (using 65mm Kodak...

In June 2015 I was lucky enough to source a fresh 300ft short-end of Kodak's 250D (Vision 3 5207) motion picture stock in 65mm format.

How to get started with pushing (and pulling) film

We've roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film. It's a great read for those of you who are thinking about dipping

An introduction to Luminograms with Michael Jackson

If you're a regular reader of EMULSIVE interviews, then you may remember our piece with Michael Jackson and his wonderful work at Poppit Sands back in October last year. You may also have noticed that most of his output of

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