Experimentation plays a huge part in film photography – it’s baked right into the medium. Explore experimental development techniques, pushing and pulling film, cross processing, red scale photography and much, much more here.
And this is where my journey of home developing begins! After a couple of disappointments - in rapid succession - of the work of some photo labs, it was time to take full responsibility for all the loosely cut last
As regular readers will know, I've been doing #FILMSWAPs for close to six months now and things are going great guns. Since it all started back in July, I've been lucky enough to swap over 150 rolls (and reels) of
Picking up from my original Provia 100F review, I'm going to talk about how we can experiment with this film and the kinds of results you can expect.
In this article, we'll be talking about pushing, cross processing and
"All styles are good except the boring kind." – Voltaire
Let’s get a few things straight before we go any further: I did not study photography and I don’t really consider myself to be an artist.
Working as a
Picking up from the original review, I'm going to talk about experiment with Kodak EKTACHROME E100VS and the kinds of results you can expect from pushing and cross processing the film and then pushing and cross processing this film.
Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.
Before I jump into the guide, allow me a few moments to tell you the story of how I began shooting and developing slide film.
Many years ago, while working as an employee of a transport and delivery company, I
Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film
English version here: https://emulsive.org/experiments/black-and-white-fuji-instax-photographic-experiments
Mi chiamo WhatsBehindThat e faccio foto.
La mia prima foto e’ stata fatta con una Yashica, dopo che mio fratello mi spiego’ come leggere la tabella dei valori dietro al flash e come impostare
Exposure latitude is defined by the satisfactory range between the shadow and highlights at which details can still be visible and color reversal (slide) films are known to have exposure latitudes that are much narrower than black and white, or
Film photography, or analog photography - to use a term that better encompasses other media and processes - really is a fascinating world.
To those relatively new to the world outside what is considered traditional film photography (such as myself
Versione in Italiano e qui: https://emulsive.org/experiments/esperimenti-fotografici-con-fuji-instanx-in-bianco-e-nero
My name is WhatsBehindThat and I make photos.
I took my first shots with a Yashica film camera (after my brother explained me how to read the table of values behind the