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Experiments

Experimentation plays a huge part in film photography – it’s baked right into the medium. Explore experimental development techniques, pushing and pulling film, cross processing, red scale photography and much, much more here.

Scanning film: Canon 5D Mark II vs Drum scanner vs Epson...

Preface This article originally appeared over at Addicted2light in November 2012 and has been kindly updated by author Gianluca Bevacqua. Gianluca's taken a bit of time to update his initial findings with his updated DSLR "scanner", a Sony A7r.

Effectively shooting Fuji Velvia 50 and other slide films – by...

Fuji Velvia 50 is my favourite colour film. The colours, saturation and contrast are unique. It's especially good for golden hour colours around dawn and sunset.

How to bulk load 120 or 220 film (using 65mm Kodak...

In June 2015 I was lucky enough to source a fresh 300ft short-end of Kodak's 250D (Vision 3 5207) motion picture stock in 65mm format.

Long exposure film tests part three: Kodak Professional Ektar 100, Portra...

Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.

The Arista Rapid E-6 kit: a guide to developing your own...

Before I jump into the guide, allow me a few moments to tell you the story of how I began shooting and developing slide film. Many years ago, while working as an employee of a transport and delivery company, I

How-to: Build your own JOBO-style semi-automatic film processor: Pt.1

I have always wanted a Jobo film processor.

Cheat sheet: ILFORD FP4 PLUS development times – EI 100 to...

Over the years I've built up a large bank of development times and schemes for many black and white films, old and new;

Experiments: cross processing and push processing Fuji Provia 100F (RDP III)

Picking up from my original Provia 100F review, I'm going to talk about how we can experiment with this film and the kinds of results you can expect. In this article, we'll be talking about pushing, cross processing and

Developing motion picture film in your own darkroom by Mr. D...

Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film

Working with paper negatives – Part one: A story of thrift...

Film photography, or analog photography - to use a term that better encompasses other media and processes - really is a fascinating world. To those relatively new to the world outside what is considered traditional film photography (such as myself

How-to: Build your own JOBO-style semi-automatic film processor: Pt.2

Welcome back to this guide on building your own JOBO-style automatic film processor.

How to get started with pushing (and pulling) film

We've roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film. It's a great read for those of you who are thinking about dipping

Experiments: cross processing and pushing Kodak EKTACHROME 100VS (E100VS)

Picking up from the original review, I'm going to talk about experiment with Kodak EKTACHROME E100VS and the kinds of results you can expect from pushing and cross processing the film and then pushing and cross processing this film.

Getting to grips with darkroom printing using Caffenol (and alternatives) –...

Analog black and white film development and chicken soup. Enough internet for today? An unusual combination, but according to an article I found online, chicken soup can be used to develop film.

Experimenting with Rollei Superpan 200 (with bonus infrared)

Today I've decided to give you all a look at the kind of results you can expect from Rollei's Superpan 200 black and white film in 120 format.

Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+,...

Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet. Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.

Long exposure film tests part two: ILFORD HP5 PLUS, ILFORD Delta...

Welcome to part two of my long exposure test results.

Working with Paper Negatives – Part 3: At work in the...

Welcome to part three of my series on photography using paper negatives aka photographic paper! If you're new to the series, please take a moment to read the preceding parts before diving in.

Creating double exposure portraits – by Clara Araujo

One of my favorite things about shooting film is that I can make multiple exposures, which are photographs that contain 2 or more images on the same frame.

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