Where are my effing pictures? Or, finding an archive system for...

In 2009 I bought my third digital camera, a little Panasonic Lumix LX3 to complement my somewhat chunkier DSLR. In 2012 I sold it, partly to fund its replacement, a Sony RX100.

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

Monobath film developers feel like the in thing for 2018.

Cheat sheet: Kodak Tri-X 400 development times – EI 200 to...

My ILFORD FP4 PLUS development times article seemed to cause quite a buzz.

My darkroom journey – by Keith Moss

I really believe that to be a complete photographer it is imperative to either hone the skill set of printing within a darkroom environment or be knowledgeable of the process.

Cheat sheet: ILFORD FP4 PLUS development times – EI 100 to...

Over the years I've built up a large bank of development times and schemes for many black and white films, old and new;

Featured project: Finding your way in the dark (printing Dublin...

I wanted a few nighttime square images for the final chapter of a book I was just completing on Dublin, a kind of goodnight to the City.

Cinematic storytelling part 2: motion picture film, print film and chemistry

In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.

Developing expired large format black and white film – by Scott...

If you are old enough, you will remember a time when expired film was like kryptonite to a photographer.

Getting to grips with darkroom printing using Caffenol (and alternatives) –...

Analog black and white film development and chicken soup. Enough internet for today? An unusual combination, but according to an article I found online, chicken soup can be used to develop film.

Appendix A of the Technical Field Guide for the Discerning Analog...

I originally wrote the full "Technical Field Guide for the Discerning Analog Photographer" as a quick reference for technical photographers in the field.

Four seasons with: Kodak EASTMAN Plus-X 5231 – by Marco Calemme

And this is where my journey of home developing begins! After a couple of disappointments - in rapid succession - of the work of some photo labs, it was time to take full responsibility for all the loosely cut last

New from ILFORD: 35mm and 120 ortho films, MULTIGRADE papers, camera...

One important voice has been missing from the crowd of new film announcements these past few years, that of 140 year-old ILFORD...

Developing motion picture film in your own darkroom by Mr. D...

Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film

An introduction to black and white darkroom printing

Black and white printing is (obviously) fun, and easy to get into.

The Arista Rapid E-6 kit: a guide to developing your own...

Before I jump into the guide, allow me a few moments to tell you the story of how I began shooting and developing slide film. Many years ago, while working as an employee of a transport and delivery company, I

Cinestill C-41 Quart Kit: extended development, push and pull processing times

I’ve been developing film at home for a while now, and I’ve done everything that I can to get my money's worth...

The Simple Enlarger: compact, portable, low-cost darkroom printing for all

I want to spread the idea that a photographic enlarger is fundamentally a very simple thing.

In my darkroom #01: Craig Pindell

Do you want to create a darkroom but have no idea where to start? Perhaps you're a little confused by all of the options, or conflicting accounts of "what's best".

Darkroom technique: fine-tuning the negative – by Monika

Back over the summer of 2018, my beloved Bronica SQ-A became gravely ill, and I sent it off to the camera spa for some TLC.