Home Articles EMULSIVE's most popular film photography posts of 2018

EMULSIVE’s most popular film photography posts of 2018

2017’s end of year listicles seem like they went down pretty well, so I’ve decided to put my personal prejudice against them to one and put together a few more for 2018. You only have yourselves to blame, so if you don’t want to see more of these in 2019, leave this page now.

Still here? Grand.

Once again, in the time honoured tradition of lazy posting at the end of the year, here’s the first in a series of seven top 10/countdown articles planned for EMULSIVE during this final-ish week of 2018.

First off is a quick self-indulgent look back at the most popular photographs of the year – all made by yours truly and based on reader views, likes, shares and comments. Click or tap on any of the images/links to view them full-size.

Chop chop: Kodak Ektar 100 (120) – VIEW

Chop chop - Shot on Kodak Ektar 100 at EI 800. Color negative film in 120 format shot as 6x6. Push processed three stops. Chop chop

Shot on Kodak Ektar 100 at EI 800.

Color negative film in 120 format shot as 6×6.

Push processed three stops.

Not in stock: Rollei Ortho 25 (120) – VIEW

Not in stock - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6. Not in stock

Shot on Rollei Ortho 25 at EI 25.

Black and white negative film in 120 format shot as 6×6.

Just a lick: Kodak ULTRA MAX 400 (35mm) – VIEW

Just a lick - Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops. Just a lick

Shot on Kodak ULTRA MAX 400 at EI 1600.

Color negative film in 35mm format.

Push processed two stops.

Seventeen sticks (120) – VIEW

Seventeen sticks - Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100. Color reversal (slide) film in 120 format shot as 6x6. Seventeen sticks

Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100.

Color reversal (slide) film in 120 format shot as 6×6.

Waiting time: Kodak Tri-X 400 (120) – VIEW

Waiting time - Shot on Kodak Tri-X 400 at EI 800. Black and white negative film in 120 format shot as 6x6. Waiting time

Shot on Kodak Tri-X 400 at EI 800.

Black and white negative film in 120 format shot as 6×6.

Flow: Kodak Tri-X 400 (120) – VIEW

Flow - Shot on Kodak Tri-X 400 at EI 51200. Black and white negative film in 120 format shot as 6x6. Push processed seven stops. FlowShot on Kodak Tri-X 400 at EI 51200.

Black and white negative film in 120 format shot as 6×6.

Push processed seven stops.

‘lil stunner: Kodak EKTACHROME E100 (35mm) – VIEW

'lil stunner - Shot on Kodak EKTACHROME E100 at EI 400. Color reversal (slide) film in 35mm format. Push processed two stops. ‘lil stunner

Shot on Kodak EKTACHROME E100 at EI 400.

Color reversal (slide) film in 35mm format.

Push processed two stops.

Forever memories: Fuji Superia 400 Premium (35mm) – VIEW

Forever memories - Shot on Fuji Premium 400 at EI 400. Color negative film in 35mm format. Forever memories

Shot on Fuji 400 Premium at EI 400. Color negative film in 35mm format.

Curved plane: Fuji Fujicolor Industrial 400 (35mm) – VIEW

Curved plane - Shot on Fujicolor Industrial 400 at EI 400. Color negative film in 35mm format. Curved plane

Shot on Fujicolor Industrial 400 at EI 400.

Color negative film in 35mm format.

Shattered by light: Kodak Ektar 100 (120) – VIEW

Exploded by light - Shot on Kodak Ektar 100 at EI 400. Color negative film in 120 format shot as 6x6. Push processed two stops. Exploded by light

Shot on Kodak Ektar 100 at EI 400.

Color negative film in 120 format shot as 6×6.

Push processed two stops.

See you tomorrow for this year’s most popular film camera reviews.

SEE ALSO:  5 Frames... With Fujicolor Reala 100 (El 100 / 120 format / Mamiya C3) - by Vishal Kullarwar

~ EM

Your turn: submit an article

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SEE ALSO:  5 Frames... With Lomography Color Negative 400 (EI 400 / 120 format / Fujifilm GA645Zi) - by Kathleen E. Johnson

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EMhttps://emulsive.org
Overlord at EMULSIVE.org and all-round benevolent gestalt entity.

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