Category: 5 Frames…
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5 Frames… With my first roll of Kodak Tri-X 400 (EI 400 / 35mm format / Nikon FE)
These five frames come from my first-ever roll of Kodak Tri-X 400 that, insofar as experience goes, was only my fourth roll of film. They are shot on a Nikon FE and a Nikkor 50mm f/1.8 AI lens from 1978, purchased by my dad when he was 27 years old—an immigrant from the Philippines to…
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5 Frames… With KosmoFoto Mono 100 (EI 100 / 35mm format / Leica M4)
I discovered this location – Dakota Crescent – whilst riding to my usual skate spots. It is one of Singapore’s oldest estates built in circa 1958. That is even before the independence of Singapore. The name itself is derived from Douglas DC-3 “Dakota” aircraft. The designs of these flats were close to that of towns…
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5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Canon AT-1)
Last July I had my parents staying and we went for a bush walk at Mount Bruce with my two boys. I took along two rolls of film; T-MAX 400 and Tri-X 400, along with my 35mm Canon AT-1 and my Canon FD 50mm f/1.4 lens. I used the in-camera match-needle meter for metering light.…
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5 Frames… With Kodak Panchromatic Separation Film 2238 (EI 20 / 35mm format / Nikon F4)
It isn’t often (if ever) that a film comes along and stops me in my tracks. In fact, I can’t think of a time that one ever has. Some have come close but this one stopped me dead in my tracks. The film, of course is Kodak Panchromatic Separation Film 2238, also known as “SO-2238”,…
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5 Frames… Of macros with Spur Ultra R 800 (EI 32 / 35mm format / Pentax ME Super)
It all started with curiosity. While shopping online to refill my fridge with film for the summer season, I noticed a new film announced at one of the online shops: Spur Ultra with a resolution of 800 LP/mm. I can hardly resist trying new things out, it’s a gene in my family. My dad bought…
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5 Frames… With Agfa Cinerex IC1N (35mm / EI 200 / Canon Prima Zoom 90u Date)
It has been a while since me and a friend started organizing these Sunday morning walks in downtown São Paulo. Sometimes we start at 6:30am, some people complain, then the next time we start at 8:30am and a lot of people show up. This was one of the latter and also a typical fall day…
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5 Frames… In the Great Kiva with Kodak Portra 400 (EI 400 / 120 format / Reality So Subtle 6X6F)
The Great Kiva was reconstructed in 1934 by Hopi and Puebloan workers. This site was part of the extended Chaco Canyon regional cluster of settlements and is part of the Chaco Culture National Historic Park. The Aztec Ruins* became a National Monument in 1923, was added to the National Register of Historic Places in 1966,…
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5 Frames… With Adox Scala 160 (EI 160 / 35mm format / Olympus OM-10)
I’ve been experimenting with a lot of films for some time now. I have two or three favourites but am still always curious as to what others can offer. I’d had my eye on Adox Silvermax for a while but my lab suggested Scala as it’s essentially the same film but reversal processed. Black and…
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5 Frames… Of Venice/Italy on Kodak EKTACHROME 64T (EI 50 / 120 format / Zeiss Ikon 518/2 Nettar)
Me and my girlfriend planned an ultra-short trip to Venice, Italy. We wanted to fly with just cabin luggage so I thought about keeping my camera collection compact. The friend we were going to visit called it the most beautiful city in the world and since I take his opinion very seriously I had to…
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5 Frames… With JCH Street Pan (EI 400 / 35mm format / Leica M6 and 90mm APO)
I recently travelled to New York – the second time in my life, but my first visit as a photographer. I intended to shoot the entire trip on film only, and decided to take a roll of something I’d never shot before to have some results that would be a bit different to what I’m…
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5 Frames… Of Jarvis Cocker on Kodak Portra 400 (EI 400 / 35mm format / Contax T2)
This begins with a very unexpected message from a fellow photographer. Offering me a ticket to join him at All Points East Festival. With instant joy, I said yes! I couldn’t skip such an opportunity where I could watch The Strokes, Jack White, Courtney Barnet & Johnny Marr live, all in one sitting! This is…
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5 Frames… With Kodak Ektar 100 (EI 100 / 35mm format / Olympus XA)
I work as a busy professional in Downtown Toronto and had been in desperate need of something meaningful outside of my work to get re-centered and reconnect to the moment. Though I had started shooting analog photography in and around 2003 with a Nikon F65, with the exception of some fun toy camera photography, I…
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5 Frames… With Kodak Pro Image 100 (EI 800 / 35mm format / Nikon F100)
I have been using this film for at least 2 decades. For me, Kodak Pro Image 100 was always a very good option for almost all situations. Portraits, events or whatever; it’s always been a film that returns very good or acceptable results. And best of all, you can push it three stops without any…
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5 Frames… With Fujicolor C200 (EI 800 / 35mm format / Nikon F3)
I asked opinions about pushing consumer color films like Kodak Pro Image 100 in one of my local forums but most people said it is not worth pushing them because those are “just” regular consumer films. Anyway, I decided to experiment myself and see if I liked how things turned out. Instead of using Kodak…
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5 Frames… With ILFORD Delta 3200 Professional (EI 1600 / 35mm format / Nikkormat EL)
With a friend’s wedding coming up later this year and being an avid photographer, I decided that as my gift to them I would photograph some highlights from the day and present them to them in an album. I was after a film I could use for both the day ceremony and the evening celebrations.…
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5 Frames… Of 1980s expired Kodak Panatomic-X (EI 32 / 120 format / Zeiss Ikon Cocarette)
Recently I became interested in Kodak Panatomic-X, a legendary film which was originally released in 1933 and discontinued back in 1987. With a beautiful old-school tonality, very fine grain and slow speed at ASA 32, this classic panchromatic black and white film was ultimately replaced by the modern T-grain of Kodak T-MAX 100. Its discontinuation…
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5 Frames… With Agfa Vista Plus 200 (EI 200 / 35mm format / Nikon F3HP)
I’ve been shooting film for a couple years now, ever since inheriting some cameras and expired film. Over the past year, though, my interest and desire to explore has really exploded. Getting out of my house to capture an adventure on film has become more enticing than sitting on my couch watching TV. My friend…
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5 Frames… With SREDA K250D (EI 200 / 35mm format / Original LOMO Kompact Automat (LC-A)
Last January, Steve Dowling of Kosmo Foto, wrote an intriguing post about a Moscow-based film store that was repackaging old emulsions and selling them out of their store. The story, however, was in the actual packaging of these films: labels and wrappings with a flair that catches the eye and makes one want the film…
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5 Frames… With Kodak T-MAX 400 (EI 200 / 120 format / Agfa Super Isolette)
The Agfa Super Isolette with its Agfa Solinar 75 mm f/3.5 lens is considered by many to be the finest 120 folding camera ever made so my expectations of this camera were very high when I purchased it from the well know folder repairman Certo6 in the US. This 1955 German-made camera has excellent build…
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5 Frames… With Japan Camera Hunter Streetpan 400 (EI 400 / 35mm format / Nikon F100)
I had purchased a couple of rolls of JCH Streetpan 400 in 35mm but held off shooting the film until I had an opportunity I felt was worthy of its Streetpan name. That opportunity came in…