Category: 5 Frames…
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5 Frames… in Iceland with 16-year expired Fujifilm FUJICHROME Velvia RVP (EI 50 / 120 format / Yashica-635)
Last summer my girlfriend and I went on a 14-day trip to Iceland. I Packed four Cameras, a Yashica-635, Leica P, Olympus MJU, and Sony A7R II, along with three types of films: Kodak Portra 400, Fujifilm Velvia (RVP), and Kodak T-MAX 400 but the real JAM was my original Fujifilm FUJICHROME Velvia (RVP). a…
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5 Frames… With Kodak Tri-X 400 (EI 1600 / 35mm format / Nikon F5)
I think Kodak Tri-X 400 might be one of the most mystical film stocks ever produced. For more than 70 years of its production, it has covered almost all of the history of the 20th century folowing WW2. Its flexibility to tolerate push-processing makes it a favourite of photojournalists of the film era. One of…
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5 Frames… With 15-year expired Kodak KODALITH Ortho Film 6556 (EI 12 / 35mm format / Nikon N90S)
I knew this film existed, but it was not until 2016 when a friend showed up in my studio with this box as a gift that I saw it. Yes, it a box, not a can, if you haven’t seen it. A black box, similar to the ones Kodak sells 16mm film, self-sealing box, probably…
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5 Frames… At a steam traction engine rally with Kodak T-MAX 400 (EI 400 / 120 format / Pentax 67II)
I came back into film in 2016 after a ten-year break, initially resurrecting my 1981 Pentax ME Super which I’ve had from new.
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5 Frames… With Kodak Portra 400 (EI 400 / 120 format / Fujifilm GA645 Professional)
My utmost congratulations to the person who led Fujifilm’s GA645 Professional project, as it was built with decades of forward-thinking in mind. It was made for Instagram because the Fuji 645 shoots portrait by default thus making things counter-intuitive. Anyway, a roll of 120 will land you 16 shots, and loading and unloading are possibly…
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5 Frames… With Rollei Retro 400S (EI 400 / 35mm format / Olympus XA4)
I’d shot this film a few times earlier in 2019, with some very pleasing results in 120 format from my Minolta Autocord, and some less pleasing ones from my Nikon F75 and 24mm f/1.8G. The latter was shot in midsummer Maltese sunshine, but did come out basically black OR white! This made me wonder if…
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5 Frames… With ILFORD XP2 SUPER (EI 1600 / 120 format / Mamiya 645 AFD)
These photos are of a friend/coworker of mine. Since his roommate’s work had just received a RED Cinema camera and a set of Atlas anamorphic lenses that they were renting, he and his roommate had the idea to do a video shoot of a McRib deal in a warehouse to test out the camera and…
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5 Frames… With Lomography LomoChrome Purple XR 100-400 (EI 400 / 35mm format / Contax G1)
A few months ago I was heading to Europe for a few weeks. I needed a trusty camera that would allow me complete control but also auto settings that gave me the freedom to capture images without much thought. My buddy Joe suggested the Contax G1 since he’d purchased one earlier in the year. I…
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5 Frames… On New Year’s Day 2020 in Hong Kong with ILFORD HP5 PLUS (EI 800 / 35mm format Nikon FM2)
This is not your ordinary “5 Frames…” article. Unlike my fellow shooters who took their cameras on trips or journeys, I took my Nikon FM2 onto the busy streets of Hong Kong during a mass rally against the government on New Year’s Day 2020. I have been a casual film shooter for the past year…
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5 Frames… With Fujifilm FP-100C (Polaroid 340 Land Camera)
I’ve been shooting 35mm and medium format film for a quite a while and was never really interested in instant film. But last summer I found out about pack film. It was so different from what I’ve seen before, sharpness and color accuracy – it was all there. Unfortunately, I was too late, the last…
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5 Frames… With ADOX SILVERMAX 100 (EI 100 / 35mm format / Leica M3)
ADOX SILVERMAX 100 is one of my favorite black and white films. The tonal range is extremely wide, and if exposed properly the imagery is free of grain. I used my sublime Carl Zeiss Distagon T* 35mm f/1.4 ZM lens for the first time with a film camera. Using this lens with the Leica M3…
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5 Frames… With Kodak T-MAX 400 (EI 400 / 35mm format / Canon 7)
This past summer, I became interested in Kodak T-MAX 400 in 35mm format. I was hoping for a film stock that was a little more contrasty than ILFORD Delta and less grainy than Tri-X 400. I also chose ISO 400 film rather than ISO 100 film because I wanted a film that would have a…
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5 Frames… Of the Chaophraya River on Kosmo Foto Mono 100 (EI 100 / 120 format / Voigtländer Perkeo I)
On the same day that EM put my 5 Frames with Kosmo Foto Mono 100 with my Hasselblad 500CM I picked up some negatives from the lab I use in Bangkok and took them home for scanning. The first two rolls were also Kosmo Foto Mono 100: one from my Agfa Record III, and the…
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5 Frames… With Fomapan 200 Creative (EI 200 / 35mm format / Olympus XA)
The camera shop that I frequent in Toronto — Downtown Camera — recently relocated into a fresh, new space down the block from where it had long established itself as a staple of Toronto’s photography community. To celebrate this move, DC sold some “Grand Opening Mystery Boxes” in limited quantities. I purchased a 35mm box and…
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5 Frames… With ILFORD FP4 Plus (EI 125 / 35mm format / Fujica Compact Deluxe)
These images date back to 2017 when I was working Mondays and Thursdays in a camera repair shop to learn a few things and I found this Fujica Compact Deluxe. It was in an old box of equipment for which the repair had never been approved and the owner never came back to pick it…
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5 Frames… Of derelict Communist hotels on Rollei RPX 400 (EI 400 / 120 format / Rolleiflex 2.8GX)
Recently I went on vacation with the family to Croatia. It was not a photographic trip, so I took just one film camera, a Rolleiflex 2.8GX. I grabbed three rolls of 120 film from the fridge, one of which turned out to be Rollei RPX 400, a film I had never tried before. In Croatia,…
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5 Frames… Showing a different side to Birmingham on CineStill 800 Tungsten (EI 400 / 120 format / Rolleiflex 2.8F)
Around mid-2018, after seven years of shooting digital, I decided to put the digital camera down for a little while as I experimented with learning and shooting film for my personal work. I have been photographing the streets of Birmingham UK for several years, but had never shot film before, so this seemed like a…
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5 Frames… Wandering through Bangkok with CineStill 800 Tungsten (EI 1250 / 35mm format / Yashica FX-3 Super 2000)
I’ve always wanted to try CineStill 800T since it came out a few years ago. I’ve been delighted by all the pictures I’ve seen online; the saturated colors, the lack of anti-halation adding that unique glow to bright sources and the overall effect this incredible film can ensure in low light situations with artificial lights.…
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5 Frames… With Kodak VISION 500T 5279 (EI 400 / 35mm format / Leica M4-2)
I’ve shot all sorts of colour film… Actually, I quite enjoy shooting colour – but I loathe the costs usually associated with it unless you’re shooting Fujicolor C200, Kodak Gold 200, or other little consumer emulsions (which I have to say, I love Gold 200). I had yet to jump into the “cinema emulsions” realm.…
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5 Frames… Cropped square from 35mm film
I’ve always found the limitation of image format to be fairly arbitrary, and have enjoyed using “alternative” crops (where possible) in my work. I enjoy using the Hasselblad XPan for its panoramic field of view and almost comic-book double-spread feeling, and I like the work of Fan Ho, especially the ones where he cropped down…