Me and my girlfriend planned an ultra-short trip to Venice, Italy. We wanted to fly with just cabin luggage so I thought about keeping my camera collection compact. The friend we were going to visit called it the most beautiful city in the world and since I take his opinion very seriously I had to bring out at least a middle format camera.
Since the Mamiya and Rollei cameras I own would not only fill half my bag but would also be an annoying brick to carry around. So I thought about a 6×9 Zeiss Ikon folding camera I bought some time back which is pretty light (a Zeiss Ikon 518/2 Nettar to be precise). It has one drawback though, it has no real focus mechanism. Or at least manual focus is taken to another extreme. You can dial in the distance, but there is no way to measure that distance. I figured it would be sunny and I’d be shooting cityscapes at f/11 or f/16 so guessing the focus would be good enough*.
As for the film, I thought it would be time to finish off those two rolls of 120 EKTACHROME 64T I had in my fridge. Although tungsten-balanced ISO 64 film, for some reason I thought the slight color shift from warm light would not be a problem (it wasn’t). I had no way to know how old the film was but my guess was at least 20 years. I brought my Sekonic L-208 Twinmate along with me, rated the film at EI 50 since I know slide film’s light sensitivity holds up quite nicely throughout aging and took some shots during our personal tour through the gorgeous town.
No city I’ve seen before matches the beauty of Venice but lucky enough the color pallet of the old Ektachrome emulsion did match all the gradations of the rich Italian history we saw. After I came back, I developed the film with Tetenal E6 chemistry in my home lab and slowed down my pace of working, scanning and looking at the frames because I absolutely loved the result.
Thanks for reading,
* I hate the term zone focusing, it’s a scam like 120mm film. There are no zones, it’s just guesswork with a margin of error because of the depth of field being deep, so please do not change it into zone focusing 😉
Submit your own 5 Frames With...
Get your 5 frames featured on EMULSIVE. Submit your 300-350 word article using this Google form. If you would prefer to submit another way, please use the @contact@ link at the top of the page.
This series is being produced in conjunction with Hamish Gill's excellent 35mmc.com. Head on over to read the other half of these stories there.
Do you have knowledge or story to share?
At the heart of EMULSIVE is the concept of helping promote the transfer of knowledge across the film photography community. You can help support this goal by contributing your thoughts, work, experiences and ideas to inspire others reading these pages: check out the submission guide here.
If you like what you're reading you can also help this personal passion project by heading on over to the EMULSIVE Patreon page and giving as little as a dollar a month. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.