At the beginning of my experiments with black and white film, I tried almost all modern (and available) films from different manufacturers. It was great fun to try different combinations of films and developers, a lot of experience but over the time I became to realize that if you want to have a stable result, you should concentrate on one film and one developer. Work with it until you achieve the desired result. So choosing an everyday black and white film my choice fell on Kentmere 400.
Why Kentmere? The answer is easy – it’s rather cheap and not too bad material. Why 400? Because I often shoot street, which often means shooting using scale focus and a wide depth of field. Something like “f/8 and be there”, you know… No need to push or pull this film, it’s an ideal ISO, but for those who aren’t afraid the grain.
I used to buy this film in 30.5m (100ft) bulk rolls – optimal if you’re sure about your choice and have a bulk loader or a friend with bulk loader (the latter in my case). This film doesn’t forgive mistakes as well as HP5 PLUS, but having a bit of experience, still allows you to meter by eye. The film seems like it’s closer to ISO 200 than 400, so I prefer to overexpose 1 or 2 stops. A little secret – overexpose any black and white film will only benefit.
You can both scan and print this film for sure. Maybe I forgot something important, but anyway if you’re interested in this film better to Google a bunch of reviews and compares with other films and look through examples on Flickr.
The photos above were taken during my last vacation trip to Latvia and Lithuania with an awesome Canon 7 rangefinder and 35mm f/2 lens has been my everyday combo for the last year or two. The film was developed in Kodak D-76 1+3 at 20 degrees for 28 minutes.
Thanks for reading!
Want to submit your own 5 Frames...?
Go right ahead, submissions are open! Get your 5 frames featured on by submittin your 350+ word article using this Google form. If you would prefer to submit another way, please use the contact link at the top of the page.
This series is being produced in conjunction with Hamish Gill's excellent 35mmc.com. Head on over to read the other half of these stories there.
Share your knowledge, story or project
At the heart of EMULSIVE is the concept of helping promote the transfer of knowledge across the film photography community. You can support this goal by contributing your thoughts, work, experiences and ideas to inspire the hundreds of thousands of people who read these pages each month. Check out the submission guide here.
If you like what you're reading you can also help this personal passion project by heading on over to the EMULSIVE Patreon page and giving as little as a dollar a month. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.