I came across film photography by chance, after my exchange year during university a few years ago. I feel very blessed cause I had the opportunity to travel a lot in my free time and to visit many beautiful places in Europe. The only thing was that back then, I knew almost nothing about photography and as a result, I came home with a lot of disappointing pictures and half of them ended up deleted from the memory card of my phone in the end. Too dark, too bright, too far away, weird colors and so on.
Back home, I had a chat with a friend about my disappointment and few days later he blessed me with his old 35mm camera. I felt so lucky because I was really considering buying a camera in those days, just didn’t consider analog cameras to be honest.
After having covered the process of learning the basic use, I started to experiment with different types of film in order to better understand which film better suits the conditions. The one I shoot the most is Kodak Ektar 100. (I shoot landscapes mostly)
After a long process of trial and error in order to put theory into practice, I started to appreciate the warm red tones that Ektar gives to images. When light is soft, such as on an overcast day for instance, a polarizer filter gives you a warm and vivid color palette.
Careful on sunny days though, and resist the temptation to over-polarize if you don’t want to end up with an unnatural super-saturated sky. In fact, many times I prefer to use this film without a polarizer due to its already punchy colors (consider bracketing with/without in case). The exposure latitude is impressive, so I rarely use an ND filter. To protect the highlight, you only need to remember not to underexpose it.
Also, the price isn’t that bad. It’s not really what I call a cheap film but if you are not a machine gun shooter that’s ok. Sometimes I get a slight magenta cast in the negatives, but I’m not sure if it’s a problem of my scanner or the development of the lab, in any case, it’s something you can easily correct in post-processing.
You might be interested in these
Hope you enjoyed the reading and the images,
Want to submit your own 5 Frames...?
Get your 5 Frames featured by submitting your 350+ word article by this Google form or by sending an email via the contact link at the top of the page.
Share your knowledge, story or project
The transfer of knowledge across the film photography community is the heart of EMULSIVE. You can add your support by contributing your thoughts, work, experiences and ideas to inspire the hundreds of thousands of people who read these pages each month. Check out the submission guide here.
If you like what you're reading you can also help this passion project by heading over to the EMULSIVE Patreon page and contributing as little as a dollar a month. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.