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5 Frames With… Kodak Gold 200 (EI 200 / 35mm / Leica M2) – by Graziano Nunziante5 Frames With… Kodak Gold 200 (EI 200 / 35mm / Leica M2) – by Graziano Nunziante

5 Frames With… Kodak Gold 200 (EI 200 / 35mm / Leica M2) – by Graziano Nunziante

When I was in Japan, I used to get up early. Coffee, shower, and I was soon in the streets, with my Leica M2. Without the meter or a mobile phone, I only had a cold brass camera hanging on a side, and a couple of thousands yen for the lunch.

It was a really a cool world.

I’m from a little town in the south of Italy, and, you can understand why I’m not going to forget the gentle, kind, behaviors people usually carry there: they make you feel comfortable, despite of the cultural and geographic distance.

Having the luck to be hosted by some friends living in minor cities, all around Fuji indeed, also gave me the chance to visit somewhat “genuine” world beside the more well known.

You’re looking at a small selection of the material in which I ended, and constantly trying to organize. (too much stuff makes lazy).

Loaded inside there was a Kodak Gold 200 from an expired lot, from the late 90s, directly from a parents’ forgotten box.

Anyway I was not expecting quality pics from this kind of film, just a sort of memory of little things.

Once back in Italy, three months later my first shot, I developed the films and my eyes came across a bunch of pointless images.

Some months passed, later got used to everyday life again… and a day browsing scanned negatives folders I realized they turned well in that memories I was looking for before.

Here they are (just click to enlarge):

I was using a 50mm Elmar prime, collapsible lens (some people hate it, I know, but it’s very little and good for portability while traveling). That certainly contributed to get that painterly look and softness I like, especially when used wide open, but requiring an annoying and constantly focusing (shallow DoF).

About expired color films: everyone knows they can be difficult to handle sometimes: not a lot of chances to recover underexposed frames, deep shadows can be noisy, really a short latitude I’d say.  Moreover the “Gold” series was a consumer type of film, so forget that modern Portra look you and me have in mind.

You will have to apply some noise reduction in post, remember to give a stop more while shooting, but this film can surely bring you the simplest of photography pleasures: take your best memories and enjoy.

Thanks EMULSIVE and thank you for reading,

~ Graziano Nunziante

 

 

Get involved: submit your 5 Frames With

Getting your 5 frames featured couldn't be simpler: all you need to do is send over 5 frames shot on a single roll of film using the same lens and camera combination. Large format shooter, not a problem! As long as the shots all came from the same film stock, camera and lens, you're good to go.

You can submit your article in one of two ways: using this form, or via this page.

Finally, don't forget that this series is being produced in conjunction with Hamish Gill's excellent 35mmc.com. Head on over to read the other half of these stories.

 

 

About The Author

EMULSIVE

Self confessed film-freak and film photography mad-obsessive and OVERLORD at emulsive.org. I push, pull, shoot, boil and burn film everyday, and I want to share what I learn.

1 Comment

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  1. Gold is one of my favorite films. It is cheap, renders great colors, and has a nostalgic warmth to it. Love it.

    Reply

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