The Agfa Super Isolette with its Agfa Solinar 75 mm f/3.5 lens is considered by many to be the finest 120 folding camera ever made so my expectations of this camera were very high when I purchased it from the well know folder repairman Certo6 in the US. This 1955 German-made camera has excellent build quality unlike many of the cheaper and more popular Isolettes, and its 4 element Solinar (Tessar) lens is very sharp from edge-to-edge, even wide open.

I took this camera on a day trip to the Blue Mountains near Katoomba on its first serious outing, loading it with Kodak T-MAX 400 film, my stock 120 film, which I always rate at 200 ASA. The Agfa folded, slipped easily into a small shoulder bag making it the perfect carry around 120 camera much more compact than a bulky TLR eg It is easy to handhold so I did not take a tripod with me as I walked around the National Park and Katoomba.

Out of the 12 frames I shot that day, at least 6 were keepers and I think the reason for that is the camera was with me all the time allowing me to shoot when I saw something worth shooting.

The camera was easy to load and the film advance has the smooth precision of a fine wristwatch. After setting the aperture and shutter speed, the latter must be cocked manually which is typical of cameras of this vintage. Focusing is via knurled knob, not that easy to operate, but the rangefinder patch was bright and the image snaps clearly into focus.

Back home, I developed the film in my normal developer, Kodak D-23, which I make up as needed from 2 simple ingredients (metol and sodium sulphite). The resulting scans had superb tonal graduation and had the “look” I was after. For me, German glass does this whereas more modern Japanese glass aka Mamiya 7, tends to be clinically sharp and lacking some character.

I made three 16 by 16 inch prints from these negatives and was very impressed with them. This camera is a keeper.

~ Peter

Submit your own 5 Frames With...

Get your 5 frames featured on EMULSIVE. Submit your 300-350 word article using this Google form. If you would prefer to submit another way, please use the @contact@ link at the top of the page.

This series is being produced in conjunction with Hamish Gill's excellent 35mmc.com. Head on over to read the other half of these stories there.

Write for EMULSIVE

EMULSIVE is all about promoting knowledge transfer across the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages: check out the submission guide.

If you like what you're reading you can help this passion project by heading on over to the EMULSIVE Patreon page. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.

2 COMMENTS

  1. I love my Super Isolette – the first time I’ve parted with serious money for a camera. I can take it or leave it with 35mm rangefinders; Within my budget, they simply don’t seem to offer any meaningful advantage over an SLR in the same price bracket and numerous disadvantages. But the combo of that big fat 120 6×6 neg and the lovely lens in a compact folding package make this pretty much my absolute ideal camera.

    Thanks for the article!

Leave a comment