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Film stock review: FPP RetroChrome 400 (EASTMAN EKTACHROME High-Speed Daylight Film 2253) - by Simon King

Film Stock Review: FPP RetroChrome 400 (EASTMAN EKTACHROME High-Speed Daylight Film 2253) – by...

FPP RetroChrome 400 is the name given to a stock of 35mm Kodak EASTMAN EKTACHROME High-Speed Daylight Film 2253 (PDF datasheet) that...
Overprotected Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Nikon F6 + Nikkor 85mm f/1.8 AF-D

Photography: Overprotected – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D Read...
5 Frames With... Venice/Italy on Kodak EKTACHROME T64 (120 / EI 50 / Zeiss Ikon 518/2 Nettar) - by Raymond van Mil

5 Frames With… Venice/Italy on Kodak EKTACHROME 64T (120 / EI 50 / Zeiss...

Me and my girlfriend planned an ultra-short trip to Venice, Italy. We wanted to fly with just cabin luggage so I thought...
Olympus OM-4T and Olympus Zuiko 300mm f/4.5

5 Frames With… Kodak EKTACHROME E100 (EI 100 / 35mm / Olympus OM-4T) –...

The OM-4 represented the pinnacle of Olympus film camera development. The multi-spot metering function, unique to the OM-3 and OM-4 bodies, afforded photographers the greatest manual exposure control in any film camera produced.
5 Frames With Kodak EKTACHROME E100VS (EI 400 / 120 / Bronica SQ-A) - by Monika

5 Frames With… Kodak EKTACHROME E100VS (EI 100 / 120 / Bronica SQ-A) –...

"What on earth had I been thinking?" This is the question that I asked myself from the moment that I dropped the roll of film off at the lab, until the moment that I had picked it up.
5 Frames With... Kodak EKTACHROME 160T (EI 100-150 / 35mm / Zenit TTL) - by Lucy Wainwright

5 Frames With… Kodak EKTACHROME 160T (EI 100-150 XPRO / 35mm / Zenit TTL)...

Because it couldn't just be 160T, that'd be too easy. Kodak EKTACHROME 160T, was one of the three speeds of tungsten-balanced slide film that Kodak produced until 2013 or so, and you can still find plenty of it around
Cover - How to- Shoot nightlife flash photography with Kodak Ektachrome E100

How to: Shoot nightlife flash photography with Kodak Ektachrome E100

Using reversal film for flash photography is not the most obvious choice but there are a few characteristics which make using Kodak's new Ektachrome E100 for flash photography very interesting.
Cover - My first time with slide film- new Kodak EKTACHROME E100 - by Adi Mitrache

My first time with slide film: new Kodak EKTACHROME E100

Most of the frames which make up this mini-review are from the first roll of slide film
Kodak EKTACHROME E100 (EI 100, 35mm) - Leica R5, Leica Summicron-R 50 f/2 - by Stig Starr

5 Frames With… Kodak EKTACHROME E100 (EI 100 / 35mm / Leica R5) –...

I have to start with saying of late my taste in colour film has been changing.
Framed - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Framed Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4      
Baroo? - Shot on Kodak EKTACHROME 64T (EPY) at EI 64. Color reversal (slide) film in 35mm format.

Photography: Baroo? – Shot on Kodak EKTACHROME 64T (EPY) at EI 64 (35mm format)

Baroo? Shot on Kodak EKTACHROME 64T (EPY) at EI 64 Color reversal (slide) film in 35mm format      
Tiered - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.

Photography: Tiered – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Tiered Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Cross processed      
Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO...

Kodak (new) EKTACHROME E100 comparison #04 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO...

Kodak (new) EKTACHROME E100 comparison #03 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO...

Kodak (new) EKTACHROME E100 comparison #02 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO...

Kodak (new) EKTACHROME E100 comparison #01 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
'lil stunner - Shot on Kodak EKTACHROME E100 at EI 400. Color reversal (slide) film in 35mm format. Push processed two stops.

Photography: ‘lil stunner – Shot on Kodak EKTACHROME E100 at EI 400 – 35mm...

'lil stunner Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops. Read the Kodak EKTACHROME E100 first impressions review - EI 100, 200, 400 and 800 tested. 'lil stunnerShot on Kodak
Up and to the right - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS)...

Up and to the right #01 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4      
Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions

Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 +...

Here's a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 - one, two and three-stops of push processing. *1 The images below form part
The moon and the mountains - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at...

The moon and the mountains Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide