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5 Frames… With Kodak EKTACHROME E100 (EI 100 / 35mm format / Olympus OM-4T) – by David Hancock

The OM-4 represented the pinnacle of Olympus film camera development. The multi-spot metering function, unique to the OM-3 and OM-4 bodies, afforded photographers the greatest manual exposure control in any film camera produced.

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #04 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #03 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #02 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #01 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm