Tag: Rollei Superpan 200
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6 Frames… Of morning pinholes on an ONDU 6×12 Multiformat and Rollei Superpan 200
I have shot film since my childhood, but I completely switched to film 5 years ago. During all this time I gained a lot of experience experimenting with different film, formats, and cameras and gradually realized what I like most — the square format and slowed down shooting. This naturally led me to the idea…
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5 Frames. Cumulus afternoon with a red filter on Rollei Superpan 200 (EI 200 / 120 format / Rolleiflex T)
Once again it was time for a spontaneous photo tour with a fixed theme. Normally I only shoot what comes to my nose. I am always very free. But that was a wonderful day, Saturday 30 May 2020. The sun was shining and cumulus clouds were gathering in the sky. The ideal weather for cloud…
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EMULSIVE’s most popular film photography experimentation articles of 2018
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not. Either way, it’s here. Comparing Fujifilm Acros to… Fujifilm Acros – READ Crank Case – Minolta XD7
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Every single film stock still made today – Part 5: Oriental to Rollei (v3)
Update 02: 2018-09-20 Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
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Photography: Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 05 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 04 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 03 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 01 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Veins #02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.  
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Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)
One down Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.  
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Photography: Bathed in light – Shot on Rollei Superpan 200 at EI 3 (120 format)
Bathed in light Shot on Rollei Superpan 200 at EI 3 Black and white negative film in 120 format shot as 6×6 R72 filter Read the Rollei Superpan 200 review and experimentation guide.
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EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring 10.
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Photography: Venn – Shot on Rollei Superpan 200 at EI 200 (120 format)
Venn Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Black and white reversal development Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!  
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EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
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Photography: Creep – Shot on Rollei Superpan 200 at EI 3 (120 format)
Creep Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6×6 R72 filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI 3 (120 format)
Mannequin parade Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6×6 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!  
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Photography: Waiting zone – Shot on Rollei Superpan 200 at EI 3 (120 format)
Waiting zone Rollei Superpan 200 shot at ISO3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Given the elbow – Shot on Rollei Superpan 200 at EI 400 (120 format)
Given the elbow Shot on Rollei Superpan 200 at EI 400 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Zodiak-B 30/3.5 fisheye Read the full Rollei Superpan 200 review here…and don’t forget the experimentation
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