Tag: Pentax MX Film Camera
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Zürich Pride 2021 on Cinestill 50D and BWxx film / Pentax MX and SMC-Pentax-M 50mm f/1.7 lens – by Astrid Robertsson
In September I went to pride for the first time since coming out. I didn’t intend to take a lot of photos but I always have a camera with me and in a hurry to get to the bus I picked some film to put in my bag to shoot. I chose Cinestill 50D because…
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Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7
I recently shot a roll of Cinestill 50D on a sunny, Saturday walk in Zurich. I chose to shoot Cinestill 50D because I had recently watched a review of it on the Analogue Wonderland Youtube channel. Having shot it before and not finding it particularly good, I wanted to shoot it again because the photos…
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5 Frames… Of my 22nd birthday at the Uetliberg on Fujifilm FUJICOLOR Industrial 100 film (35mm Format / EI 100 / Pentax MX + Asahi Pentax SMC 50mm f/1.7)
These 5 photographs were taken on my birthday this year on a Pentax MX with an Asahi Pentax SMC 50mm f/1.7 lens. I shot the photos on Fujifilm Industrial 100. I had been saving the last roll of this film that I had for a special occasion since this is one of my favourite film…
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EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film
Say hello to Andrea Bianchi; Surfer, extreme sports photographer, photo editor and portraitist based in one of the most beautiful parts of the world. Andrea and I have been crossing paths for 18 months now and I’m glad to finally be able to bring his interview to you. Settle in, this is going to be…
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EMULSIVE interview #211: I am Graham Spinks and this is why I shoot film
Greetings and welcome to this week’s fresh EMULSIVE interview – number 211 to be specific. I have great pleasure in introducing you to the words and work of erstwhile philosopher, Graham Spinks. It’s over to you, Graham. Hi Graham, what’s this picture, then? GS: This photo was taken at the National Trust’s Canons Ashby earlier this…
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Film review: Kodak Gold 200 vs Fujicolor C200 comparison
I was a Kodak Gold 200 user forever. I’m not really sure why. I think it might have been taking those purple and yellow 3-packs out of my mom’s camera bag from a young age.
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5 Frames… With ILFORD FP4 PLUS (EI 125 / 35mm format / Pentax ME Super)
Paris is my favourite city for photography and I go there as often as I can. For shooting film, I like to take my smaller film bodies.
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EMULSIVE interview #28: I am Andrea Taurisano and this is why I shoot film
We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
