Tag: ISO 6400

Photography: Over my shoulder – Ilford FP4+ (35mm)

Sep 6, 2016

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by

EM

in 35mm format, Photography

Over my shoulder Shot on Ilford FP4+ at EI 6400 Black and white negative film in 35mm format Push processed 5+2/3 stops
How to get started with pushing (and pulling) film

Mar 10, 2016

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by

EM

in Articles, Darkroom, Experiments, Guides & How-Tos

We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film. It’s a great read for those of you who are thinking about dipping
Photography: Passage – Shot on Kodak Tri-X 400 at EI 6400 (35mm)

Dec 7, 2015

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by

EM

in 35mm format, Photography

Passage Shot on Kodak Tri-X 400 at EI 6400 Black and white negative film in 35mm format Push processed four stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide! &nbsp
Photography: Pockmarked – Shot on Maco Eagle AQS 400 / Rollei Retro 400S (35mm)

Jul 6, 2015

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by

EM

in 35mm format, Photography

Pockmarked Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI320 Black and white negative film in 135 format
Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)

Jun 25, 2015

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by

EM

in All Reviews, Experiments, Film stock reviews, Kodak Film Stock Reviews

Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Film notes: Kodak Tri-X 400 (400TX)

Jun 23, 2015

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by

EM

in All Reviews, Film Notes, Film stock reviews, Kodak Film Stock Reviews

Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats

Jun 9, 2015

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by

EM

in All Reviews, Film stock reviews, Kodak Film Stock Reviews

Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.