Tag: ISO 12800
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Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)
Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6×6 Push processed 5 stops. Development notes: Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5) No presoak, 1-minute initial agitation, 5 inversions/minute
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Photography: Alley 35 – Ilford Delta 400 Professional
Alley 35 Ilford Delta 400 Professional shot at EI 12800 Black and white negative film in 120 format shot at 6×6 Push processed 5-stops
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Photography: Thinking it over – Shot on ILFORD HP5 PLUS at EI 12800 (120 format)
Thinking it over Shot on ILFORD HP5 PLUS at EI 12800 Black and white negative film in 120 format shot as 6×6 Push processed 5-stops
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Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
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Photography: Mesh-ing around – Shot on Kodak Tri-X 400 at EI 12800 (120)
Mesh-ing around Shot on Kodak Tri-X 400 at EI 12800 Black and white negative film in 120 format shot as 6×4.5 Push processed five stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push
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Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
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Film notes: Kodak Tri-X 400 (400TX)
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
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Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.