Tag: Graflex Pacemaker Speed Graphic Film Camera
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5 Frames… Photographing Beau with a Rollei Heidosmat 150mm f/2.8, Graflex Speedgraphic Pacemaker and Arista EDU ULTRA 100 4×5 film
If you go back and read my Return to Film article, you’ll see I mentioned I wanted to get into large format. Well, I have done just that since 2017 and I am now on my second large format camera. This portrait session found me switching to black and white film — Freestyle Photo’s Arista…
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Photography: Failing light – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.
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EMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film
Today’s interviewee is a busy man, he’s a producer and off-air reporter covering the US Congress for NBC News, past Chairman of the Radio & Television Correspondents Association on Capitol Hill, oh and a film photographer who also happens to shoot some of our favourite film stocks (and cameras) while doing the day job. Looking…
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Photography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.
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Film photography in album cover design
I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.
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Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)
Nook #02 Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 4×5 large format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter Read the Kodak AEROCHROME review / Prints available here  
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Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #02 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter Read the Bergger Pancro 400 film reviews here.
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5 Frames… With Fomapan 400 Action (EI 400 / 4×5 format / Graflex Speed Graphic and Kodak Aero Ektar 178mm f/2.5)
I don’t remember exactly when or where I first learned about the Kodak Aero Ektar lens, but I immediately knew that I had to have one! Mine is mounted an Army Air Corps Speed Graphic.
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Review: Comparing FF No.1 and Cinestill Df96 monobath developers
Monobath film developers feel like the in thing for 2018.
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Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4×5 format Graflex Speed Graphic, Graflex Optar 135 f/4.7 Developed in Cinestill Df96 monobath
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Photography: Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #01 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter Read the Bergger Pancro 400 film reviews here.
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Photography: Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)
Above as below Shot on ILFORD Delta 100 Professional at EI 100 Black and white negative film in 4×5 format
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Photography: Altitude sickness – Kodak EKTACHROME E200 at EI 200 (120 format)
Altitude sickness Shot on Kodak EKTACHROME E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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Photography: The staircase – Shot on Kodak Vericolor III VPS 6006 (120 format)
The staircase Shot on Kodak Vericolor III VPS 6006 at EI 100 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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Photography: Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI 320 (120 format)
Oregon Sunset #02 Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
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Photography: Top half – Shot on Fuji Pro 160NS at EI 100 (120)
Top half Shot on Fuji Pro 160NS at EI 100 Color negative film in 120 format shot as 6×7
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Photography: In vein – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
In vein Shot on Fomapan 200 Creative at EI 200 Black and white negative film in 4×5 format AEROgraphic / Kodak Aero Ektar 178mm f/2.5
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Photography: To the light – Rollei INFRARED 400 (4×5)
To the light Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
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Photography: V – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
V Shot on Fomapan 200 Creative at EI 200 Black and white negative film in 4×5 format AEROgraphic / Kodak Aero Ektar 178mm f/2.5
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Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)
Bunched up Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
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