Tag: Cross Processing / XPRO
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5 Frames… Ektachrome 160T expired in poor conditions cross processed in ECN-2 (120 Format / EI160 / Mamiya RB67 + Mamiya Sekor C 50mm f/4.5) – by Pablo Cruz Villalba
I recently bought a Mamiya RB67 with a Mamiya Sekor C 50mm f4.5 and a 90mm f3.8. After a month away for a CLA I got it back, where a few expired rolls were waiting for it. I was eager to shoot a lot, since I’m used to shooting a lot of 35mm and half…
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Kodak “dinosaur” film: A photo set 65 million years in the making… On ELITE Chrome II 400 slide film
While looking through a box of memorabilia, I came across two rolls of unopened Kodak Elite Chrome II 400. Not exactly sure why I had it — it could have been leftover from when we retired our film cameras at work, or I could have purchased it hoping to do more slide work. Looking at…
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Photography: Power up – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Photography: It can wait – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Photography: Welcome – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Photography: Tear it down, tear it all down – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Stop cross processing your slide film: #Saynotoxpro
That’s right I said it, stop cross-processing lovely slide film. Slide film was designed to produce lovely true striking colours, with great contrast, sharpness and fine grain. It allowed photographers, artists and printers to see exactly what they were getting. Yet you want to xpro it to make it grainy, blurry and a complete smorgasbord…
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5 Frames… With Kodak EKTACHROME 160T (EI 100-150 / XPRO / 35mm format / Zenit TTL)
Because it couldn’t just be 160T, that’d be too easy. Kodak EKTACHROME 160T, was one of the three speeds of tungsten-balanced slide film that Kodak produced until 2013 or so, and you can still find plenty of it around
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Cinematic storytelling part 3: developing motion picture film
Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.
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Cinematic storytelling part 2: motion picture film, print film and chemistry
In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.
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Cinematic storytelling part 1: an overview of motion picture film and still photography
This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself. Through this article and the
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5 Frames… With Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220)
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W, and the other is I’m too cheap to send my rolls to a lab.