Tag: 6×12 Aspect Ratio
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Photography: Day market #01 – Shot on ILFORD Delta 100 Professional at EI 200 (120 format)
Day market #01 Shot on ILFORD Delta 100 Professional at EI 200 Black and white negative film in 120 format shot as 6×12 Push processed one stop Development notes: Kodak HC-110: 1+47, 20°C/68°F, 10:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Altitude sickness – Kodak EKTACHROME E200 at EI 200 (120 format)
Altitude sickness Shot on Kodak EKTACHROME E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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Photography: The staircase – Shot on Kodak Vericolor III VPS 6006 (120 format)
The staircase Shot on Kodak Vericolor III VPS 6006 at EI 100 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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Photography: Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI 320 (120 format)
Oregon Sunset #02 Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
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Photography: Steppps – Shot on Shanghai GP3 100 at EI 100 (120 format)
Steppps Shot on Shanghai GP3 100 at EI 100 Black and white negative film in 120 format shot as 6×12
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Photography: Death Valley Approach #03 – Shot on Kodak EKTACHROME 100GP (120)
Death Valley Approach #03 Shot on Kodak EKTACHROME 100GP (E100GP) at EI 100. Color reversal (slide) film in 120 format shot as 6×12. Cross processed.
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Photography: Out on a limb – Ultrafine Xtreme 400 (120)
Out on a limb Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format shot as 6×12
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Photography: Off the wall – Kodak T-MAX 400 (120)
Off the wall Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×12 Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5
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Photography: Where’s my second coat? – Fuji Pro 400H (120)
Where’s my second coat? Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6×12
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EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
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Photography: Spring growth – Ilford Pan F+ (120)
Spring growth Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
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Photography: On edge – Ilford Pan F+ (120)
On edge Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Schneider Super Angulon 90mm f/8 MC – Graflex Pacemaker Speed Graphic
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Photography: 門 / mén / door #01 – Ilford Pan F+ (120)
門 / mén / door #01 Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
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Photography: Creeping up – Shot on Kodak Portra 800 at EI 800 (120 format)
Creeping up Shot on Kodak Portra 800 at EI 800Color negative film in 120 format shot as 6×12 Creeping upShot on Kodak Portra 800 shot at EI 800.Color negative film in 120 format shot as 6×12.
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Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 1 – introduction and required materials
This is the first of a six-part series in which I will describe the process of creating a “naked” Graflex Pacemaker Speed Graphic 4×5 camera and Kodak Aero Ektar lens combination;
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Photography: Redfern – Lomography Redscale XR 50-200 (120)
Redfern Lomography Redscale XR 50-200 shot at EI100 Color redscale negative in 120 format shot as 6×12 Kodak Aero Ektar 178/2.5
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EMULSIVE 52 Rolls 2016 – Week 22-25 update
Roll up, roll up! It’s time for another update! This time I’ll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
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Photography: Oregon Sunset #01 – Shot on Kodak Portra 400VC (120 format)
Oregon Sunset Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
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Photography: Death Valley Approach #01 – Kodak Pro 400 MC 6059 (120)
Death Valley Approach #01 Kodak Pro 400 MC 6059 shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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Photography: Zion NPS #01 – Shot on Kodak Vericolor III VPS 6006 (120 format)
Zion NPS #01 Shot on Kodak Vericolor III (VPS 6006) shot at EI 100 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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