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Author: Toni Skokovic

Long exposure film tests part two: ILFORD HP5+, ILFORD Delta Professional 400, ILFORD Delta Professional 3200, ILFORD SFX 200 by Toni Skokovic

Welcome to part two of my long exposure test results. for part two I wanted to look at how higher speed films from ILFORD behave with longer exposure times. While it seems redundant to use higher speed films for longer exposures, one does not know what can be found. As you will remember from part one, is central to my ongoing photography project, Where We Meet.   This second part of my tests, continues my attempts at mastering the long exposure technique that is key for my project and I hope, charts my endeavours to complete a comprehensive test of various...

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Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+, ILFORD Delta 100 Professional

Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet. Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative. Of course, technical challenges and possibilities abound when it comes to using film for long exposure. First, there is the concept of reciprocity failure, something that to the outsider may seem like another black magic aspect of our craft. Then, the film, as it usually does, offers a wide range of creative options, going well beyond the crisp and predictable realm of...

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Blue hour with Kodak Ektar 100 – by Toni Skokovic

I’ve started getting into film photography more seriously over the past 18 months; and testing different films has been a huge part of discovering the right technology and technique. My goal has been to evaluate different looks and determine if film opens additional creative opportunities. This is how I found Kodak Ektar. Much has been written about this film but for me, I find Kodak Ektar at its most unique under unusual lighting conditions and when exposed in a somewhat unconventional fashion. My first roll was a disaster. I ended up shooting with my camera’s meter set to EI 400, so the roll...

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